Fortuna museale di Tintoretto nell’Ottocento

The present article reconstructs the nineteenth-century exhibition history of Ritrovamento del corpo di S. Marco by Tintoretto, through the analysis of the museum policy interventions on the painting: from the arrival to Brera in 1811, to the elaboration that led to its transfer to the Church of...

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Main Author: Lerda, Martina
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2019-07-01
Series:MDCCC 1800
Subjects:
Online Access:http://doi.org/10.30687/MDCCC/2280-8841/2019/01/002
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author Lerda, Martina
author_facet Lerda, Martina
author_sort Lerda, Martina
collection DOAJ
description The present article reconstructs the nineteenth-century exhibition history of Ritrovamento del corpo di S. Marco by Tintoretto, through the analysis of the museum policy interventions on the painting: from the arrival to Brera in 1811, to the elaboration that led to its transfer to the Church of Saint Mark in 1847, up to the reasons for its recovery, which took place only in 1886. The Reconstruction will take into account the developments of the artist’s critical fortune in Italy, but will also be read in relation to the evolution of the public function assigned to Brera collection, which became independent from the Academy of Fine Arts in 1882.
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spelling doaj.art-1985ebc07ba74725a2062a55290549092023-10-30T08:13:59ZengFondazione Università Ca’ FoscariMDCCC 18002280-88412019-07-018110.30687/MDCCC/2280-8841/2019/01/002journal_article_2150Fortuna museale di Tintoretto nell’OttocentoLerda, Martina0Università di Pisa The present article reconstructs the nineteenth-century exhibition history of Ritrovamento del corpo di S. Marco by Tintoretto, through the analysis of the museum policy interventions on the painting: from the arrival to Brera in 1811, to the elaboration that led to its transfer to the Church of Saint Mark in 1847, up to the reasons for its recovery, which took place only in 1886. The Reconstruction will take into account the developments of the artist’s critical fortune in Italy, but will also be read in relation to the evolution of the public function assigned to Brera collection, which became independent from the Academy of Fine Arts in 1882. http://doi.org/10.30687/MDCCC/2280-8841/2019/01/002Brera’s Academy. Discovery of the body of Saint Mark. Exhibition history. Pinacoteca di Brera. Tintoretto
spellingShingle Lerda, Martina
Fortuna museale di Tintoretto nell’Ottocento
MDCCC 1800
Brera’s Academy. Discovery of the body of Saint Mark. Exhibition history. Pinacoteca di Brera. Tintoretto
title Fortuna museale di Tintoretto nell’Ottocento
title_full Fortuna museale di Tintoretto nell’Ottocento
title_fullStr Fortuna museale di Tintoretto nell’Ottocento
title_full_unstemmed Fortuna museale di Tintoretto nell’Ottocento
title_short Fortuna museale di Tintoretto nell’Ottocento
title_sort fortuna museale di tintoretto nell ottocento
topic Brera’s Academy. Discovery of the body of Saint Mark. Exhibition history. Pinacoteca di Brera. Tintoretto
url http://doi.org/10.30687/MDCCC/2280-8841/2019/01/002
work_keys_str_mv AT lerdamartina fortunamusealeditintorettonellottocento