Introduction

This issue of Itinera aims to address the connections between architecture and the performing arts in its various aspects and from multiple points of view. The growing emphasis on the performative character of artistic practices, namely, their ability to involve spectators directly and pervasivel...

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Main Authors: Paolo Furia, Serena Massimo, Rita Messori, Federico Vercellone
Format: Article
Language:English
Published: Milano University Press 2023-08-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/20783
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author Paolo Furia
Serena Massimo
Rita Messori
Federico Vercellone
author_facet Paolo Furia
Serena Massimo
Rita Messori
Federico Vercellone
author_sort Paolo Furia
collection DOAJ
description This issue of Itinera aims to address the connections between architecture and the performing arts in its various aspects and from multiple points of view. The growing emphasis on the performative character of artistic practices, namely, their ability to involve spectators directly and pervasively (Dixon 2007), imbues the relationship between architecture, the performing arts, and the spectator’s experience. The sharing of the scenic space by spectators and performers is essential for the co-production of a common energy which operates as a “transforming force” and thereby opens up the shared experience of discovering oneself and the other as a union of the body and the mind (Fischer-Lichte 2004).
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spelling doaj.art-19e6b6cc1ebb49759576794653a25e2e2023-08-09T15:20:53ZengMilano University PressItinera2039-92512023-08-012510.54103/2039-9251/20783IntroductionPaolo Furia0Serena Massimo1Rita Messori2Federico Vercellone3università di TorinoUniversità di Roma Tor VergataUniversità degli Studi di ParmaUniversità degli Studi di Torino This issue of Itinera aims to address the connections between architecture and the performing arts in its various aspects and from multiple points of view. The growing emphasis on the performative character of artistic practices, namely, their ability to involve spectators directly and pervasively (Dixon 2007), imbues the relationship between architecture, the performing arts, and the spectator’s experience. The sharing of the scenic space by spectators and performers is essential for the co-production of a common energy which operates as a “transforming force” and thereby opens up the shared experience of discovering oneself and the other as a union of the body and the mind (Fischer-Lichte 2004). https://riviste.unimi.it/index.php/itinera/article/view/20783
spellingShingle Paolo Furia
Serena Massimo
Rita Messori
Federico Vercellone
Introduction
Itinera
title Introduction
title_full Introduction
title_fullStr Introduction
title_full_unstemmed Introduction
title_short Introduction
title_sort introduction
url https://riviste.unimi.it/index.php/itinera/article/view/20783
work_keys_str_mv AT paolofuria introduction
AT serenamassimo introduction
AT ritamessori introduction
AT federicovercellone introduction