“This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis

This study focuses on the narrative section which forms the climax of Wyndham Lewis’s 1937 novel The Revenge for Love and which represents the experience of speeding in a car from the point of view of the female protagonist, Margot Stamp. I argue that Lewis’s depiction of speed in his novel extends...

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Main Author: Annelie Fitzgerald
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2016-03-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/8626
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author Annelie Fitzgerald
author_facet Annelie Fitzgerald
author_sort Annelie Fitzgerald
collection DOAJ
description This study focuses on the narrative section which forms the climax of Wyndham Lewis’s 1937 novel The Revenge for Love and which represents the experience of speeding in a car from the point of view of the female protagonist, Margot Stamp. I argue that Lewis’s depiction of speed in his novel extends his critique of the technophilia he dubbed “machine-mindedness” and alludes to, at the same time as it implicitly criticises, the Futurist adulation of speed. As a visual artist, Lewis represents the experience of speeding as a violently distorted and traumatic way of seeing and also satirises female gender stereotypes in his representation of Margot’s experience of speeding.
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spelling doaj.art-19e8af607a1f47f395f6ab3eb24f4d5d2022-12-21T17:50:35ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592016-03-011210.4000/miranda.8626“This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham LewisAnnelie FitzgeraldThis study focuses on the narrative section which forms the climax of Wyndham Lewis’s 1937 novel The Revenge for Love and which represents the experience of speeding in a car from the point of view of the female protagonist, Margot Stamp. I argue that Lewis’s depiction of speed in his novel extends his critique of the technophilia he dubbed “machine-mindedness” and alludes to, at the same time as it implicitly criticises, the Futurist adulation of speed. As a visual artist, Lewis represents the experience of speeding as a violently distorted and traumatic way of seeing and also satirises female gender stereotypes in his representation of Margot’s experience of speeding.http://journals.openedition.org/miranda/8626genderFuturismsatirespeedVorticism
spellingShingle Annelie Fitzgerald
“This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
Miranda: Revue Pluridisciplinaire du Monde Anglophone
gender
Futurism
satire
speed
Vorticism
title “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
title_full “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
title_fullStr “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
title_full_unstemmed “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
title_short “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis
title_sort this rushing cosmos filled her with a bleak dismay the textual sexual dynamics of speed in the revenge for love by wyndham lewis
topic gender
Futurism
satire
speed
Vorticism
url http://journals.openedition.org/miranda/8626
work_keys_str_mv AT anneliefitzgerald thisrushingcosmosfilledherwithableakdismaythetextualsexualdynamicsofspeedintherevengeforlovebywyndhamlewis