Proposal for a reading of byzantine paintings inside the Cathedral of Genoa

This article is dedicated to the analysis of the early Fourteenth Century byzantine cycle in the Saint Lawrence Cathedral in Genoa: in particular its purpose is to illustrate the iconographic program realized on the counter façade. The questions this article explains are: what is the relationship be...

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Main Author: Federica Volpera
Format: Article
Language:Italian
Published: University of Bologna 2016-11-01
Series:Intrecci d'arte
Subjects:
Online Access:https://intreccidarte.unibo.it/article/view/6435
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author Federica Volpera
author_facet Federica Volpera
author_sort Federica Volpera
collection DOAJ
description This article is dedicated to the analysis of the early Fourteenth Century byzantine cycle in the Saint Lawrence Cathedral in Genoa: in particular its purpose is to illustrate the iconographic program realized on the counter façade. The questions this article explains are: what is the relationship between painted images and spatial context, which means first the wall on which was carried out, and second the space of the Cathedral; what are the complex meanings of the iconographic themes of the Last Judgement and the Deesis, also in connection to the local devotional culture; and finally, considering the relation patron – subject of the cycle – artist, what are the connections between the Latin devotional needs of patrons and also of the public to which the cycle was intended, and the eastern compositional and expressive repertories of the Byzantine painters.
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spelling doaj.art-1a1cb064ee5d4ca6ac0356ddc7ba61ae2022-12-22T01:53:24ZitaUniversity of BolognaIntrecci d'arte2240-72512016-11-015110.6092/issn.2240-7251/64355821Proposal for a reading of byzantine paintings inside the Cathedral of GenoaFederica VolperaThis article is dedicated to the analysis of the early Fourteenth Century byzantine cycle in the Saint Lawrence Cathedral in Genoa: in particular its purpose is to illustrate the iconographic program realized on the counter façade. The questions this article explains are: what is the relationship between painted images and spatial context, which means first the wall on which was carried out, and second the space of the Cathedral; what are the complex meanings of the iconographic themes of the Last Judgement and the Deesis, also in connection to the local devotional culture; and finally, considering the relation patron – subject of the cycle – artist, what are the connections between the Latin devotional needs of patrons and also of the public to which the cycle was intended, and the eastern compositional and expressive repertories of the Byzantine painters.https://intreccidarte.unibo.it/article/view/6435GenovaBisanzioCattedrale di San Lorenzopitturaiconografia
spellingShingle Federica Volpera
Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
Intrecci d'arte
Genova
Bisanzio
Cattedrale di San Lorenzo
pittura
iconografia
title Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
title_full Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
title_fullStr Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
title_full_unstemmed Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
title_short Proposal for a reading of byzantine paintings inside the Cathedral of Genoa
title_sort proposal for a reading of byzantine paintings inside the cathedral of genoa
topic Genova
Bisanzio
Cattedrale di San Lorenzo
pittura
iconografia
url https://intreccidarte.unibo.it/article/view/6435
work_keys_str_mv AT federicavolpera proposalforareadingofbyzantinepaintingsinsidethecathedralofgenoa