THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY

In some stories by Tatyana Tolstaya, published between 2004 and 2015, of Soviet and post-Soviet setting, the doorbell, in the representation of living contexts, seems to take on a non-secondary significance. Sometimes, it is its aesthetic value to be highlighted; while, in other moments, it is its...

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Main Author: Giulia Baselica
Format: Article
Language:deu
Published: University of Banja Luka, Faculty of Philology 2022-06-01
Series:Filolog
Subjects:
Online Access:https://filolog.rs.ba/index.php/filolog/article/view/179
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author Giulia Baselica
author_facet Giulia Baselica
author_sort Giulia Baselica
collection DOAJ
description In some stories by Tatyana Tolstaya, published between 2004 and 2015, of Soviet and post-Soviet setting, the doorbell, in the representation of living contexts, seems to take on a non-secondary significance. Sometimes, it is its aesthetic value to be highlighted; while, in other moments, it is its function to be emphasised. This article aims to investigate the meaning the doorbell acquires in Tolstaya’s narratives, the way it relates, each single time, to the surrounding system of objects, as well as with the main characters of the stories. Although its being a product of modern technology, the doorbell, located on the front door, connects to the threshold, a place steeped in stratified mythical and ancestral values.
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spelling doaj.art-1a5c2f7b24f7475abb1899aa475b858a2022-12-22T03:44:11ZdeuUniversity of Banja Luka, Faculty of PhilologyFilolog1986-58642233-11582022-06-01132510.21618/fil2225341bTHE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY Giulia Baselica 0Università degli Studi di Torino In some stories by Tatyana Tolstaya, published between 2004 and 2015, of Soviet and post-Soviet setting, the doorbell, in the representation of living contexts, seems to take on a non-secondary significance. Sometimes, it is its aesthetic value to be highlighted; while, in other moments, it is its function to be emphasised. This article aims to investigate the meaning the doorbell acquires in Tolstaya’s narratives, the way it relates, each single time, to the surrounding system of objects, as well as with the main characters of the stories. Although its being a product of modern technology, the doorbell, located on the front door, connects to the threshold, a place steeped in stratified mythical and ancestral values. https://filolog.rs.ba/index.php/filolog/article/view/179Tat’jana Tolstajafont doorbellRussian literatureRussian cultureSoviet culture
spellingShingle Giulia Baselica
THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
Filolog
Tat’jana Tolstaja
font doorbell
Russian literature
Russian culture
Soviet culture
title THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
title_full THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
title_fullStr THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
title_full_unstemmed THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
title_short THE FRONT DOORBELLS IN TAT’JANA TOLSTAJA’S STORIES: THEIR DESIGN AND CULTURAL MEMORY
title_sort front doorbells in tat jana tolstaja s stories their design and cultural memory
topic Tat’jana Tolstaja
font doorbell
Russian literature
Russian culture
Soviet culture
url https://filolog.rs.ba/index.php/filolog/article/view/179
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