Holding and Reversing the Camera Obscura
The following study examines the critical interplay between ideology, mediated reality, and the role that individuals’ perceptions, beliefs, and actions play in this process. In doing so, the study delves into the examination of the way power structures and dominant narratives proceed into influenci...
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| Format: | Article |
| Language: | deu |
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Peoples’ Friendship University of Russia (RUDN University)
2023-12-01
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| Series: | RUDN Journal of Philosophy |
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| Online Access: | https://journals.rudn.ru/philosophy/article/viewFile/37139/22852 |
| _version_ | 1797382689973600256 |
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| author | Nataliya Atanasova |
| author_facet | Nataliya Atanasova |
| author_sort | Nataliya Atanasova |
| collection | DOAJ |
| description | The following study examines the critical interplay between ideology, mediated reality, and the role that individuals’ perceptions, beliefs, and actions play in this process. In doing so, the study delves into the examination of the way power structures and dominant narratives proceed into influencing cultural expression and, consequently, impact social action. It is thus argued that in contemporary society, the Situationist notion of “the spectacle” has replaced any understanding of reality and created a reified social world dominated by commodities that reinforce dominant ideologies and determine subjective perceptions. Furthermore, the paper addresses the impact of this mediated reality on personal subjectivity and agency. Drawing on Marx’s metaphor of the “camera obscura” as ideology, it argues for a transformative “reversal of perspective” that changes how individuals view and engage with their environment. Ultimately, this study underscores the profound impact of “the spectacle” on social relations, ideology, and perception. It argues for a transformative and creative approach that challenges individuals to resist the grasp of the spectacle, reclaim their agency, and develop new perspectives for interacting with the world. The extensions of the gaze subtly refer to the basis of economy manifested as “false consciousness” reflected by the camera obscura as an inverted image but readjusted with the tools of spectacles and mirrors within the reflective apparatus. |
| first_indexed | 2024-03-08T21:09:09Z |
| format | Article |
| id | doaj.art-1a65bc17143b41ada8fa5960cb132769 |
| institution | Directory Open Access Journal |
| issn | 2313-2302 2408-8900 |
| language | deu |
| last_indexed | 2024-03-08T21:09:09Z |
| publishDate | 2023-12-01 |
| publisher | Peoples’ Friendship University of Russia (RUDN University) |
| record_format | Article |
| series | RUDN Journal of Philosophy |
| spelling | doaj.art-1a65bc17143b41ada8fa5960cb1327692023-12-22T09:45:42ZdeuPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Philosophy2313-23022408-89002023-12-0127485886810.22363/2313-2302-2023-27-4-858-86820878Holding and Reversing the Camera ObscuraNataliya Atanasova0https://orcid.org/0009-0008-8022-6208Sofia UniversityThe following study examines the critical interplay between ideology, mediated reality, and the role that individuals’ perceptions, beliefs, and actions play in this process. In doing so, the study delves into the examination of the way power structures and dominant narratives proceed into influencing cultural expression and, consequently, impact social action. It is thus argued that in contemporary society, the Situationist notion of “the spectacle” has replaced any understanding of reality and created a reified social world dominated by commodities that reinforce dominant ideologies and determine subjective perceptions. Furthermore, the paper addresses the impact of this mediated reality on personal subjectivity and agency. Drawing on Marx’s metaphor of the “camera obscura” as ideology, it argues for a transformative “reversal of perspective” that changes how individuals view and engage with their environment. Ultimately, this study underscores the profound impact of “the spectacle” on social relations, ideology, and perception. It argues for a transformative and creative approach that challenges individuals to resist the grasp of the spectacle, reclaim their agency, and develop new perspectives for interacting with the world. The extensions of the gaze subtly refer to the basis of economy manifested as “false consciousness” reflected by the camera obscura as an inverted image but readjusted with the tools of spectacles and mirrors within the reflective apparatus.https://journals.rudn.ru/philosophy/article/viewFile/37139/22852situationiststhe spectacleperspectivecontemplationagencyideology |
| spellingShingle | Nataliya Atanasova Holding and Reversing the Camera Obscura RUDN Journal of Philosophy situationists the spectacle perspective contemplation agency ideology |
| title | Holding and Reversing the Camera Obscura |
| title_full | Holding and Reversing the Camera Obscura |
| title_fullStr | Holding and Reversing the Camera Obscura |
| title_full_unstemmed | Holding and Reversing the Camera Obscura |
| title_short | Holding and Reversing the Camera Obscura |
| title_sort | holding and reversing the camera obscura |
| topic | situationists the spectacle perspective contemplation agency ideology |
| url | https://journals.rudn.ru/philosophy/article/viewFile/37139/22852 |
| work_keys_str_mv | AT nataliyaatanasova holdingandreversingthecameraobscura |