Du Paria à l’Émigré : une typologie des vagabonds post-révolutionnaires
The « great detention » analysed by Michel Foucault shows the fear societies have of wanderers and tramps. During the wholeclassical period, political and religious elites try to lock up people who don’t have neither home nor work, thinking that they are a danger to society’s order. Arts and literat...
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| Format: | Article |
| Language: | fra |
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The John Paul II Catholic University of Lublin & Werset Publishing House
2014-12-01
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| Series: | Quêtes Littéraires |
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| Online Access: | http://czasopisma.kul.pl/ql/article/view/4568 |
| Summary: | The « great detention » analysed by Michel Foucault shows the fear societies have of wanderers and tramps. During the wholeclassical period, political and religious elites try to lock up people who don’t have neither home nor work, thinking that they are a danger to society’s order. Arts and literature represent this threat, reinforcing the negativity of wandering and mobility in minds. However, there is a time in French history leading to question this doxa. A political revolution turns these representations round. The French Revolution changes the camp of suspicion towards wandering. Starting from 1789, old elites, ironically, find themselves out in the streets with nothing. These people, the Émigrés, are the ones creating literature during the revolutionary period. This phenomenonaffects writing at this time, and arises ethical and aesthetic questions. The texts written in exile trying to answer these questions create a new sensibility which is going to influence the minds of the 19th century. |
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| ISSN: | 2084-8099 2657-487X |