You Look at Me Looking at You Looking at Me

Living and working for a month at the Sanskriti Foundation in Delhi, the artist’s life was watched and observed by a group of resident monkeys. This paper is based on notes begun during that studio residency and represents the critical reflections emerging alongside the hands-on sculptural practice....

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Main Author: Brigitte Jurack
Format: Article
Language:English
Published: MDPI AG 2023-04-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/12/2/73
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author Brigitte Jurack
author_facet Brigitte Jurack
author_sort Brigitte Jurack
collection DOAJ
description Living and working for a month at the Sanskriti Foundation in Delhi, the artist’s life was watched and observed by a group of resident monkeys. This paper is based on notes begun during that studio residency and represents the critical reflections emerging alongside the hands-on sculptural practice. It is illustrated with close-up photographs of the artist’s sculpture that asks how encounters with fabled animals in densely populated 21st century urban areas can alter our understanding of the gaze as an inter-species gaze. The sculpture and paper begin to ask broader questions, including how can sculpture provide a different, and perhaps more tacit and empathetic, encounter with <i>the other</i> to enable a physical, mental or spiritual experience of cultural entanglement between the various onlookers? In how far is modelling the other’s gaze a form of embodiment and mimicry? Do the fast-changing camera angles and soundtracks of natural history programmes hinder an empathic inter-species encounter? Or, does the slow animation of the artist’s sculpted surface heighten a sense of being alongside equally curious, cunning and adaptable others such as crows, foxes and monkeys?
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spelling doaj.art-1a9755e421ce49a5abeca82512079ffc2023-11-17T18:15:49ZengMDPI AGArts2076-07522023-04-011227310.3390/arts12020073You Look at Me Looking at You Looking at MeBrigitte Jurack0Department of Art & Performance, Manchester School of Art, Manchester Metropolitan University, Manchester M15 6BR, UKLiving and working for a month at the Sanskriti Foundation in Delhi, the artist’s life was watched and observed by a group of resident monkeys. This paper is based on notes begun during that studio residency and represents the critical reflections emerging alongside the hands-on sculptural practice. It is illustrated with close-up photographs of the artist’s sculpture that asks how encounters with fabled animals in densely populated 21st century urban areas can alter our understanding of the gaze as an inter-species gaze. The sculpture and paper begin to ask broader questions, including how can sculpture provide a different, and perhaps more tacit and empathetic, encounter with <i>the other</i> to enable a physical, mental or spiritual experience of cultural entanglement between the various onlookers? In how far is modelling the other’s gaze a form of embodiment and mimicry? Do the fast-changing camera angles and soundtracks of natural history programmes hinder an empathic inter-species encounter? Or, does the slow animation of the artist’s sculpted surface heighten a sense of being alongside equally curious, cunning and adaptable others such as crows, foxes and monkeys?https://www.mdpi.com/2076-0752/12/2/73representational sculpturehand-modelledscavengersethicsgazemythology
spellingShingle Brigitte Jurack
You Look at Me Looking at You Looking at Me
Arts
representational sculpture
hand-modelled
scavengers
ethics
gaze
mythology
title You Look at Me Looking at You Looking at Me
title_full You Look at Me Looking at You Looking at Me
title_fullStr You Look at Me Looking at You Looking at Me
title_full_unstemmed You Look at Me Looking at You Looking at Me
title_short You Look at Me Looking at You Looking at Me
title_sort you look at me looking at you looking at me
topic representational sculpture
hand-modelled
scavengers
ethics
gaze
mythology
url https://www.mdpi.com/2076-0752/12/2/73
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