Demised Heroes: Nibelung's Rewritings in contemporary Theater

This essay investigates the actual relationship between heroism and cultural identity through the analysis of the rewriting and transcoding of the Nibelungenlied in four case studies of the postmodern German theater scene, as Heiner John von Düffel, Felicitas Hoppe e Thomas Köck. Between 1970 and to...

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Main Author: Benedetta Bronzini
Format: Article
Language:English
Published: University of Bologna 2023-01-01
Series:Griseldaonline
Subjects:
Online Access:https://griseldaonline.unibo.it/article/view/14997
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author Benedetta Bronzini
author_facet Benedetta Bronzini
author_sort Benedetta Bronzini
collection DOAJ
description This essay investigates the actual relationship between heroism and cultural identity through the analysis of the rewriting and transcoding of the Nibelungenlied in four case studies of the postmodern German theater scene, as Heiner John von Düffel, Felicitas Hoppe e Thomas Köck. Between 1970 and today, three generations of German theater have recognized in the Nibelungenlied a symbol of Teutonic identity, able to connect past and present. The first chapter contextualizes the main topic in the recent studies on heroism. The following two chapters are dedicated to the analysis of the case studies: heterogenous and, at the same time, all aiming to destructing the heroic value of the protagonists, which are portraited as responsible of the brutality of the recent German history, as useless common people, and, finally, as deranged guests of a psychiatric hospital. Particularly relevant are the female protagonists, who open new research perspectives.
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spelling doaj.art-1ab0bd9e349940afa2d92b726e4090ee2023-01-09T13:30:42ZengUniversity of BolognaGriseldaonline1721-47772023-01-0121213715410.6092/issn.1721-4777/1499713329Demised Heroes: Nibelung's Rewritings in contemporary TheaterBenedetta Bronzini0Università di Modena e Reggio EmiliaThis essay investigates the actual relationship between heroism and cultural identity through the analysis of the rewriting and transcoding of the Nibelungenlied in four case studies of the postmodern German theater scene, as Heiner John von Düffel, Felicitas Hoppe e Thomas Köck. Between 1970 and today, three generations of German theater have recognized in the Nibelungenlied a symbol of Teutonic identity, able to connect past and present. The first chapter contextualizes the main topic in the recent studies on heroism. The following two chapters are dedicated to the analysis of the case studies: heterogenous and, at the same time, all aiming to destructing the heroic value of the protagonists, which are portraited as responsible of the brutality of the recent German history, as useless common people, and, finally, as deranged guests of a psychiatric hospital. Particularly relevant are the female protagonists, who open new research perspectives.https://griseldaonline.unibo.it/article/view/14997contemporary theaterheroism«nibelungenlied»post-heroismrewriting
spellingShingle Benedetta Bronzini
Demised Heroes: Nibelung's Rewritings in contemporary Theater
Griseldaonline
contemporary theater
heroism
«nibelungenlied»
post-heroism
rewriting
title Demised Heroes: Nibelung's Rewritings in contemporary Theater
title_full Demised Heroes: Nibelung's Rewritings in contemporary Theater
title_fullStr Demised Heroes: Nibelung's Rewritings in contemporary Theater
title_full_unstemmed Demised Heroes: Nibelung's Rewritings in contemporary Theater
title_short Demised Heroes: Nibelung's Rewritings in contemporary Theater
title_sort demised heroes nibelung s rewritings in contemporary theater
topic contemporary theater
heroism
«nibelungenlied»
post-heroism
rewriting
url https://griseldaonline.unibo.it/article/view/14997
work_keys_str_mv AT benedettabronzini demisedheroesnibelungsrewritingsincontemporarytheater