Cuestiones cognitivo-semióticas en torno a Viento de otoño (1998) de José Manuel López López a través del autoanálisis musical

This article aims to show how some elements of musical self-analysis may reveal significant cognitive issues about composition. For this purpose, I first draft a methodological framework that mainly borrows from some considerations about semiology in neuroscience and cognitive linguistics fields app...

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Bibliographic Details
Main Author: José L. Besada
Format: Article
Language:English
Published: Pontificia Universidad Católica de Chile 2022-06-01
Series:Resonancias
Subjects:
Online Access:https://resonancias.uc.cl/n-50/cuestiones-cognitivo-semioticas-en-torno-a-viento-de-otono-1998-de-jose-manuel-lopez-lopez-a-traves-del-autoanalisis-musical/
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Summary:This article aims to show how some elements of musical self-analysis may reveal significant cognitive issues about composition. For this purpose, I first draft a methodological framework that mainly borrows from some considerations about semiology in neuroscience and cognitive linguistics fields applied to music by Stefan Koelsch and Lawrence M. Zbikowski. Next, I use this framework for scrutinizing José Manuel López López’s Viento de otoño [Autumn wind] (1998) alongside disparate sources by the composer directly related to its composition. This case study analysis entails a better grasping of the composer’s creative practices and an evaluation of the potential and limits of my methodological framework.
ISSN:0717-3474
0719-5702