| Summary: | <span class="text8"><span style="font-size: 11pt"><font color="#ff0000"> </font> </span></span> <span style="font-size: 11pt; font-family: Garamond,serif"> Different disciplines have contributed to weaving a theory of psychoanalysis in the cinema: ranging from the loans from anthropology and experimental psychology, to proposals belonging to the specific sphere of film theory, such as Filmology, Text Analysis or Feminist Theory in films. In all cases, the aim is to establish a relationship between the significance structure that governs the cinema and psychology, so as to confirm that the cinema’s system of representation is modelled on our unconscious psychological apparatus, as was explained by the psychoanalyst Jacques Lacan, among others. The arrival of psychoanalysis in film thought forges the idea that considers the cinema as an auxiliary psychological device capable of making us subjects and submerging us in the emotions in play in the conflicts proposed by any audiovisual story.</span>
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