Jawlensky on the meditation’s path
The most significative of Jawlensky’s last series, the Meditations, represent high point of stylization and control of colour. From 1934 to 1937, the artist painted several of these modern icons in a very difficult situation, both economically and phisically. They represent a culmination of his oeuv...
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| Format: | Article |
| Language: | English |
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Universidad Complutense de Madrid
2014-02-01
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| Series: | Anales de Historia del Arte |
| Subjects: | |
| Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/43611 |
| _version_ | 1818132060893609984 |
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| author | Francesco Giaveri |
| author_facet | Francesco Giaveri |
| author_sort | Francesco Giaveri |
| collection | DOAJ |
| description | The most significative of Jawlensky’s last series, the Meditations, represent high point of stylization and control of colour. From 1934 to 1937, the artist painted several of these modern icons in a very difficult situation, both economically and phisically. They represent a culmination of his oeuvre and his comitment to seriality. Considered as a kind of transcendental meditation, this series of heads represents its strategy against the contingent time. |
| first_indexed | 2024-12-11T08:30:50Z |
| format | Article |
| id | doaj.art-1b38c5f9bd3f46879b13158d4709f308 |
| institution | Directory Open Access Journal |
| issn | 0214-6452 1988-2491 |
| language | English |
| last_indexed | 2024-12-11T08:30:50Z |
| publishDate | 2014-02-01 |
| publisher | Universidad Complutense de Madrid |
| record_format | Article |
| series | Anales de Historia del Arte |
| spelling | doaj.art-1b38c5f9bd3f46879b13158d4709f3082022-12-22T01:14:28ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912014-02-0123025927610.5209/rev_ANHA.2013.v23.4361142325Jawlensky on the meditation’s pathFrancesco Giaveri0Departamento de Historia del Arte III Universidad Complutense de MadridThe most significative of Jawlensky’s last series, the Meditations, represent high point of stylization and control of colour. From 1934 to 1937, the artist painted several of these modern icons in a very difficult situation, both economically and phisically. They represent a culmination of his oeuvre and his comitment to seriality. Considered as a kind of transcendental meditation, this series of heads represents its strategy against the contingent time.http://revistasculturales.ucm.es/index.php/ANHA/article/view/43611jawlenskyserialidadmeditaciónretratoexpresionismo. |
| spellingShingle | Francesco Giaveri Jawlensky on the meditation’s path Anales de Historia del Arte jawlensky serialidad meditación retrato expresionismo. |
| title | Jawlensky on the meditation’s path |
| title_full | Jawlensky on the meditation’s path |
| title_fullStr | Jawlensky on the meditation’s path |
| title_full_unstemmed | Jawlensky on the meditation’s path |
| title_short | Jawlensky on the meditation’s path |
| title_sort | jawlensky on the meditation s path |
| topic | jawlensky serialidad meditación retrato expresionismo. |
| url | http://revistasculturales.ucm.es/index.php/ANHA/article/view/43611 |
| work_keys_str_mv | AT francescogiaveri jawlenskyonthemeditationspath |