Jawlensky on the meditation’s path
The most significative of Jawlensky’s last series, the Meditations, represent high point of stylization and control of colour. From 1934 to 1937, the artist painted several of these modern icons in a very difficult situation, both economically and phisically. They represent a culmination of his oeuv...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidad Complutense de Madrid
2014-02-01
|
| Series: | Anales de Historia del Arte |
| Subjects: | |
| Online Access: | http://revistasculturales.ucm.es/index.php/ANHA/article/view/43611 |