Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example
For Qin-zither with Literati and artistic temperament, there are high requirements for visual aesthetic in the restoration of damaged lacquer surface. In order to avoid the subjectivity and uncertainty of the traditional restoration method, the role of visual aesthetic in Qin-zither lacquer restorat...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
| Published: |
EDP Sciences
2024-01-01
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| Series: | SHS Web of Conferences |
| Online Access: | https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_01021.pdf |
| _version_ | 1797268821906554880 |
|---|---|
| author | Yang Ding Zeng Li Wang Yifei |
| author_facet | Yang Ding Zeng Li Wang Yifei |
| author_sort | Yang Ding |
| collection | DOAJ |
| description | For Qin-zither with Literati and artistic temperament, there are high requirements for visual aesthetic in the restoration of damaged lacquer surface. In order to avoid the subjectivity and uncertainty of the traditional restoration method, the role of visual aesthetic in Qin-zither lacquer restoration is studied. This article proposes using the figure-ground visual relationship to analyze the figure-ground relationship between the patching surface and the original surface, assisting in restoration decision-making. During the repair process, the main lacquer patching range and shape are determined based on the visual balance of the composition. According to the final aesthetic effect, the grinding and painting repair method is selected to achieve a beautiful patching lacquer surface with different color layers in harmony with the original lacquer part. In the process of Qin-zither restoration, the visual aesthetic is permeated in the processing of figure and ground relationship, the harmony between the patching surface and the original lacquer part and the creation of lacquer layer. |
| first_indexed | 2024-04-25T01:38:35Z |
| format | Article |
| id | doaj.art-1b57957977a4404f929d0e67210928a7 |
| institution | Directory Open Access Journal |
| issn | 2261-2424 |
| language | English |
| last_indexed | 2024-04-25T01:38:35Z |
| publishDate | 2024-01-01 |
| publisher | EDP Sciences |
| record_format | Article |
| series | SHS Web of Conferences |
| spelling | doaj.art-1b57957977a4404f929d0e67210928a72024-03-08T07:52:08ZengEDP SciencesSHS Web of Conferences2261-24242024-01-011830102110.1051/shsconf/202418301021shsconf_icpahd2024_01021Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an exampleYang Ding0Zeng Li1Wang Yifei2Faculty of Art and Communication, Kunming University of Science and TechnologyCollege of Furniture and Art Design, Central South University of Forestry and TechnologyHunan MuseumFor Qin-zither with Literati and artistic temperament, there are high requirements for visual aesthetic in the restoration of damaged lacquer surface. In order to avoid the subjectivity and uncertainty of the traditional restoration method, the role of visual aesthetic in Qin-zither lacquer restoration is studied. This article proposes using the figure-ground visual relationship to analyze the figure-ground relationship between the patching surface and the original surface, assisting in restoration decision-making. During the repair process, the main lacquer patching range and shape are determined based on the visual balance of the composition. According to the final aesthetic effect, the grinding and painting repair method is selected to achieve a beautiful patching lacquer surface with different color layers in harmony with the original lacquer part. In the process of Qin-zither restoration, the visual aesthetic is permeated in the processing of figure and ground relationship, the harmony between the patching surface and the original lacquer part and the creation of lacquer layer.https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_01021.pdf |
| spellingShingle | Yang Ding Zeng Li Wang Yifei Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example SHS Web of Conferences |
| title | Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example |
| title_full | Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example |
| title_fullStr | Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example |
| title_full_unstemmed | Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example |
| title_short | Visual aesthetic in the restoration of Qin-zither damaged lacquer surface: Taking the restoration of ZhuSe Qin-zither as an example |
| title_sort | visual aesthetic in the restoration of qin zither damaged lacquer surface taking the restoration of zhuse qin zither as an example |
| url | https://www.shs-conferences.org/articles/shsconf/pdf/2024/03/shsconf_icpahd2024_01021.pdf |
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