Music and Corporeal Mimesis: creative frictions for the dramaturgy of the musician-actuator
Built as a cartographic report, this article aims to give insight to the practical and conceptual procedures carried out during the research process that culminated in the scenic and musical creation of the show Uji – O Bom da Roda. Based on the cartographic method, we focus on encounters and conta...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2021-06-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://seer.ufrgs.br/index.php/presenca/article/view/113545 |