Bodies of Work: Sexual Circulations in Philippine Cinema

The most recent skirmish between the MTRCB and certain sectors denouncing the slew of soft-pornographic films circulating during the second half of 1999 takes us to the heart of the problem of sex as a "regulatory ideal," a norm that renders material the limits and differences embedded wit...

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Main Author: Patrick D. Flores
Format: Article
Language:English
Published: University of the Philippines 2000-06-01
Series:Humanities Diliman
Subjects:
Online Access:http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/12
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author Patrick D. Flores
author_facet Patrick D. Flores
author_sort Patrick D. Flores
collection DOAJ
description The most recent skirmish between the MTRCB and certain sectors denouncing the slew of soft-pornographic films circulating during the second half of 1999 takes us to the heart of the problem of sex as a "regulatory ideal," a norm that renders material the limits and differences embedded within such contentious categories as morality, decency, customs, the "prestige" of the State, and, indeed, the commission of error in custom. This mode of enforcement reiterates itself over time and through bodies at work in the constitution of the politic underwriting the said categories. And because of such sufferance, sex can only serve as a means to generate power to produce the image and likeness of its naturalized condition as well as the strange articulations of repression. The ways in which in the most recent "word war" involving the Chief Censor and a moral crusader, who used to preside over the same office, would exchange heated words pertaining to the "homosexuality" of the latter and the "prostitution" of the former have, in fact, sexualized the debate, and so channeling all energies to the problematic of sexual regulation in society.
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spelling doaj.art-1bf9b8089cf54250bff51de3060ab0f32022-12-22T00:30:28ZengUniversity of the PhilippinesHumanities Diliman1655-15322000-06-01115468Bodies of Work: Sexual Circulations in Philippine CinemaPatrick D. FloresThe most recent skirmish between the MTRCB and certain sectors denouncing the slew of soft-pornographic films circulating during the second half of 1999 takes us to the heart of the problem of sex as a "regulatory ideal," a norm that renders material the limits and differences embedded within such contentious categories as morality, decency, customs, the "prestige" of the State, and, indeed, the commission of error in custom. This mode of enforcement reiterates itself over time and through bodies at work in the constitution of the politic underwriting the said categories. And because of such sufferance, sex can only serve as a means to generate power to produce the image and likeness of its naturalized condition as well as the strange articulations of repression. The ways in which in the most recent "word war" involving the Chief Censor and a moral crusader, who used to preside over the same office, would exchange heated words pertaining to the "homosexuality" of the latter and the "prostitution" of the former have, in fact, sexualized the debate, and so channeling all energies to the problematic of sexual regulation in society.http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/12MTRCBPhilippine Cinemapornographic filmssex
spellingShingle Patrick D. Flores
Bodies of Work: Sexual Circulations in Philippine Cinema
Humanities Diliman
MTRCB
Philippine Cinema
pornographic films
sex
title Bodies of Work: Sexual Circulations in Philippine Cinema
title_full Bodies of Work: Sexual Circulations in Philippine Cinema
title_fullStr Bodies of Work: Sexual Circulations in Philippine Cinema
title_full_unstemmed Bodies of Work: Sexual Circulations in Philippine Cinema
title_short Bodies of Work: Sexual Circulations in Philippine Cinema
title_sort bodies of work sexual circulations in philippine cinema
topic MTRCB
Philippine Cinema
pornographic films
sex
url http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/12
work_keys_str_mv AT patrickdflores bodiesofworksexualcirculationsinphilippinecinema