A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction

While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for expe...

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Main Author: Nicole Flynn
Format: Article
Language:English
Published: Universidad de La Rioja 2018-12-01
Series:Journal of English Studies
Subjects:
Online Access:https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/3450
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author Nicole Flynn
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author_sort Nicole Flynn
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description While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the essay recommends that readers become “perpetual travelers,” a global model of readership that will enable readers to navigate not only Byatt’s oeuvre and the realm of neo-Victorian fiction, but also the field of new British fiction and the crowded media landscape in which it resides.
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spelling doaj.art-1c0da03f34204c6980719c03af709c812022-12-22T00:05:39ZengUniversidad de La RiojaJournal of English Studies1576-63571695-43002018-12-011609111110.18172/jes.34503022A.S. Byatt and the “perpetual traveller”: a reading practice for new British fictionNicole Flynn0South Dakota State UniversityWhile most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel “Possession”, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that readers approach them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the essay recommends that readers become “perpetual travelers,” a global model of readership that will enable readers to navigate not only Byatt’s oeuvre and the realm of neo-Victorian fiction, but also the field of new British fiction and the crowded media landscape in which it resides.https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/3450angels and insectshistorical fictionnovelbritish literaturehermeneuticsintertextuality
spellingShingle Nicole Flynn
A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
Journal of English Studies
angels and insects
historical fiction
novel
british literature
hermeneutics
intertextuality
title A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
title_full A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
title_fullStr A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
title_full_unstemmed A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
title_short A.S. Byatt and the “perpetual traveller”: a reading practice for new British fiction
title_sort a s byatt and the perpetual traveller a reading practice for new british fiction
topic angels and insects
historical fiction
novel
british literature
hermeneutics
intertextuality
url https://publicaciones.unirioja.es/ojs/index.php/jes/article/view/3450
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