Adolf Loos and Ornament

In this study, architectural style and “Ornament is Crime” motto of Adolf Loos, being against of the nineteenth century Vienna’s architectural style, especially after the Industrial Revolution, will be examined. It is revealed that Adolf Loos’s most known motto “Ornament is Crime” has deeper meaning...

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Main Author: Selenay Büyükkök
Format: Article
Language:English
Published: Selcuk University Press 2022-05-01
Series:DEPARCH Journal of Design Planning and Aesthetics Research
Subjects:
Online Access:https://dergipark.org.tr/tr/download/article-file/2432108
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author Selenay Büyükkök
author_facet Selenay Büyükkök
author_sort Selenay Büyükkök
collection DOAJ
description In this study, architectural style and “Ornament is Crime” motto of Adolf Loos, being against of the nineteenth century Vienna’s architectural style, especially after the Industrial Revolution, will be examined. It is revealed that Adolf Loos’s most known motto “Ornament is Crime” has deeper meanings and Loos designed various buildings throughout his career according to his evolution. When his designs analyzed chronologically it is understood that Loos had a great change that is Loos reflects his true thoughts more and more in his designs as time goes on. When Adolf Loos said his famous motto, “Ornament is Crime” in Vienna’s nineteenth century, Vienna was changing, urbanizing and developing very intensely with the effect of the industrial revolution. Loos and many architects, painters, artists opposed the mass production and devaluation of handmade materials brought by the industrial revolution, but Loos has always been in a different position than others. Although Adolf Loos seems to advocate simplicity, he did not avoid the use of expensive materials in the interiors of the spaces he designed. In other words, Loos has supported the mask metaphor by simplifying its design that is visible to the outside world.
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spelling doaj.art-1c1e913112134764889b21887e3464de2025-01-02T21:04:45ZengSelcuk University PressDEPARCH Journal of Design Planning and Aesthetics Research2822-41752022-05-0111657610.55755/DepArch.2022.6154Adolf Loos and OrnamentSelenay Büyükkök0GAZI UNIVERSITY, INSTITUTE OF SCIENCEIn this study, architectural style and “Ornament is Crime” motto of Adolf Loos, being against of the nineteenth century Vienna’s architectural style, especially after the Industrial Revolution, will be examined. It is revealed that Adolf Loos’s most known motto “Ornament is Crime” has deeper meanings and Loos designed various buildings throughout his career according to his evolution. When his designs analyzed chronologically it is understood that Loos had a great change that is Loos reflects his true thoughts more and more in his designs as time goes on. When Adolf Loos said his famous motto, “Ornament is Crime” in Vienna’s nineteenth century, Vienna was changing, urbanizing and developing very intensely with the effect of the industrial revolution. Loos and many architects, painters, artists opposed the mass production and devaluation of handmade materials brought by the industrial revolution, but Loos has always been in a different position than others. Although Adolf Loos seems to advocate simplicity, he did not avoid the use of expensive materials in the interiors of the spaces he designed. In other words, Loos has supported the mask metaphor by simplifying its design that is visible to the outside world.https://dergipark.org.tr/tr/download/article-file/2432108adolf loosornamentotto wagnerraumplanvienna
spellingShingle Selenay Büyükkök
Adolf Loos and Ornament
DEPARCH Journal of Design Planning and Aesthetics Research
adolf loos
ornament
otto wagner
raumplan
vienna
title Adolf Loos and Ornament
title_full Adolf Loos and Ornament
title_fullStr Adolf Loos and Ornament
title_full_unstemmed Adolf Loos and Ornament
title_short Adolf Loos and Ornament
title_sort adolf loos and ornament
topic adolf loos
ornament
otto wagner
raumplan
vienna
url https://dergipark.org.tr/tr/download/article-file/2432108
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