| Summary: | In this paper I contribute to the recovery of women in the history of philosophy by giving the first modern-day philosophical account of the ideas on aesthetics and ethics of Anna Jameson (1794–1860). Although Jameson was massive in her time, she wrote in a place and period, nineteenth-century Britain, and on an area, aesthetics, that the recovery effort has hardly reached yet. Throughout her work Jameson argued that aesthetics and ethics were very closely connected. Here I focus on how she made that connection in her 1832 work 'Characteristics of Women: Moral, Poetical, and Historical'. Looking at Shakespeare’s female characters, Jameson argued that they provide moral examples of various sorts: role models, warnings, or a mixture of the two. The characters only provide these examples because they are rounded, psychologically complete individuals who are therefore in a certain sense real. In addition, because they are complete, the characters are aesthetic wholes, and art-works in turn are aesthetic wholes just when they depict characters as aesthetic wholes. The consequence for Jameson is that art-works can only be aesthetically good – in virtue of being wholes – if they are also morally good – in presenting characters that serve as moral examples.
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