Spatial construction in Shanghai lady: a Chinese adaptation
This article aims to provide spatial analysis of an adaptation of Ibsen’s The Lady from the Sea and the musical Shanghai Lady staged in China in 2009 and directed by Shi Jun, a young Chinese associate professor from Shanghai Theatre Academy. The notion of space may be viewed from two perspectives: f...
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| Format: | Article |
| Language: | English |
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Septentrio Academic Publishing
2015-02-01
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| Series: | Nordlit: Tidsskrift i litteratur og kultur |
| Subjects: | |
| Online Access: | https://septentrio.uit.no/index.php/nordlit/article/view/3377 |
| _version_ | 1797334456053268480 |
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| author | Chen Liang |
| author_facet | Chen Liang |
| author_sort | Chen Liang |
| collection | DOAJ |
| description | This article aims to provide spatial analysis of an adaptation of Ibsen’s The Lady from the Sea and the musical Shanghai Lady staged in China in 2009 and directed by Shi Jun, a young Chinese associate professor from Shanghai Theatre Academy. The notion of space may be viewed from two perspectives: first, as a textual construction, it reflects the characterization applied and theme shaped by the director; second, as an on-stage theatrical technique, it conveys the director’s understanding and innovative manoeuvre of adaptation in the target culture. The article tries to analyse the spatial renovation in Shanghai Lady, both in the text and on the stage, from the two perspectives mentioned above and aims to reveal the contemporary Chinese ideological reception of Ibsen’s plays and the literary techniques exhibited in its adaptation. |
| first_indexed | 2024-03-08T08:21:01Z |
| format | Article |
| id | doaj.art-1c571ec0dd274d33baf844bcd1b57abe |
| institution | Directory Open Access Journal |
| issn | 0809-1668 1503-2086 |
| language | English |
| last_indexed | 2024-03-08T08:21:01Z |
| publishDate | 2015-02-01 |
| publisher | Septentrio Academic Publishing |
| record_format | Article |
| series | Nordlit: Tidsskrift i litteratur og kultur |
| spelling | doaj.art-1c571ec0dd274d33baf844bcd1b57abe2024-02-02T05:38:46ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur0809-16681503-20862015-02-013410.7557/13.33773145Spatial construction in Shanghai lady: a Chinese adaptationChen LiangThis article aims to provide spatial analysis of an adaptation of Ibsen’s The Lady from the Sea and the musical Shanghai Lady staged in China in 2009 and directed by Shi Jun, a young Chinese associate professor from Shanghai Theatre Academy. The notion of space may be viewed from two perspectives: first, as a textual construction, it reflects the characterization applied and theme shaped by the director; second, as an on-stage theatrical technique, it conveys the director’s understanding and innovative manoeuvre of adaptation in the target culture. The article tries to analyse the spatial renovation in Shanghai Lady, both in the text and on the stage, from the two perspectives mentioned above and aims to reveal the contemporary Chinese ideological reception of Ibsen’s plays and the literary techniques exhibited in its adaptation.https://septentrio.uit.no/index.php/nordlit/article/view/3377IbsenspaceShanghai Ladyadaptation |
| spellingShingle | Chen Liang Spatial construction in Shanghai lady: a Chinese adaptation Nordlit: Tidsskrift i litteratur og kultur Ibsen space Shanghai Lady adaptation |
| title | Spatial construction in Shanghai lady: a Chinese adaptation |
| title_full | Spatial construction in Shanghai lady: a Chinese adaptation |
| title_fullStr | Spatial construction in Shanghai lady: a Chinese adaptation |
| title_full_unstemmed | Spatial construction in Shanghai lady: a Chinese adaptation |
| title_short | Spatial construction in Shanghai lady: a Chinese adaptation |
| title_sort | spatial construction in shanghai lady a chinese adaptation |
| topic | Ibsen space Shanghai Lady adaptation |
| url | https://septentrio.uit.no/index.php/nordlit/article/view/3377 |
| work_keys_str_mv | AT chenliang spatialconstructioninshanghailadyachineseadaptation |