Religious identity and music in Dorothy Richardson’s Pilgrimage
The present paper explores the quest of Miriam Henderson, the main protagonist in Dorothy Richardson’s thirteen-volume novel Pilgrimage, for religious identity and its connection to music. Pilgrimage has previously been read as a quest narrative by several critics, but the role of music in the pursu...
Main Author: | Ivana Trajanoska |
---|---|
Format: | Article |
Language: | English |
Published: |
Ss. Cyril and Methodius University in Skopje, Blaže Koneski Faculty of Philology
2019-12-01
|
Series: | Journal of Contemporary Philology |
Subjects: | |
Online Access: | https://journals.ukim.mk/index.php/jcp/article/view/974/833 |
Similar Items
-
Dorothy Richardson’s Correspondence during the Second World War and the Development of Feminine Consciousness in Pilgrimage
by: Ivana TRAJANOSKA
Published: (2020-06-01) -
Female flânerie in Dorothy Richardson's Pilgrimage
by: Hidalgo Andreu, Pilar
Published: (1993-11-01) -
Words and Music Boundaries: Conrad Aiken and his Ambiguous Musicality of Poetry
by: Marcin Stawiarski
Published: (2017-11-01) -
La musicalisation de Pilgrimage de Dorothy Richardson: l’emprunt de la forme musicale, le récit et le temps
by: Ivana Trajanoska
Published: (2016-05-01) -
Editing experiment: the new modernist editing and Dorothy Richardson's Pilgrimage
by: Guy, A, et al.
Published: (2020)