Corpo, sensi e realtà nel teatro italiano del nuovo millennio
The article proposes a study of the Italian theater in the new millennium through the revaluation of the body, of the senses and of the reality. If the main thrust is the presence of the body, the first part studies particularly the definition and the analysis of a language-body, what it is recovere...
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Format: | Article |
Language: | English |
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Milano University Press
2020-07-01
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Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/13887 |
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author | Paola Ranzini |
author_facet | Paola Ranzini |
author_sort | Paola Ranzini |
collection | DOAJ |
description | The article proposes a study of the Italian theater in the new millennium through the revaluation of the body, of the senses and of the reality. If the main thrust is the presence of the body, the first part studies particularly the definition and the analysis of a language-body, what it is recovered in La madre (2010) of Mimmo Borrelli, methodologically privileging a textual analysis. The second part studies the theatrical relationships, analyzing a particular typology of sensory dramaturgy in the Teatro del Lemming. Beginning from these analyses and from a rapids review of other experiences, the article concludes on the attempt to define what "reality." means today for the theater and to theatre. |
first_indexed | 2024-03-12T09:00:23Z |
format | Article |
id | doaj.art-1d1b5748b95d42faa42de93c490b2760 |
institution | Directory Open Access Journal |
issn | 2039-9251 |
language | English |
last_indexed | 2024-03-12T09:00:23Z |
publishDate | 2020-07-01 |
publisher | Milano University Press |
record_format | Article |
series | Itinera |
spelling | doaj.art-1d1b5748b95d42faa42de93c490b27602023-09-02T15:42:01ZengMilano University PressItinera2039-92512020-07-0119Corpo, sensi e realtà nel teatro italiano del nuovo millennioPaola Ranzini0Université d'AvignonThe article proposes a study of the Italian theater in the new millennium through the revaluation of the body, of the senses and of the reality. If the main thrust is the presence of the body, the first part studies particularly the definition and the analysis of a language-body, what it is recovered in La madre (2010) of Mimmo Borrelli, methodologically privileging a textual analysis. The second part studies the theatrical relationships, analyzing a particular typology of sensory dramaturgy in the Teatro del Lemming. Beginning from these analyses and from a rapids review of other experiences, the article concludes on the attempt to define what "reality." means today for the theater and to theatre.https://riviste.unimi.it/index.php/itinera/article/view/13887Body, Senses, Reality, contemporary Theater, Performance, dramaturgy |
spellingShingle | Paola Ranzini Corpo, sensi e realtà nel teatro italiano del nuovo millennio Itinera Body, Senses, Reality, contemporary Theater, Performance, dramaturgy |
title | Corpo, sensi e realtà nel teatro italiano del nuovo millennio |
title_full | Corpo, sensi e realtà nel teatro italiano del nuovo millennio |
title_fullStr | Corpo, sensi e realtà nel teatro italiano del nuovo millennio |
title_full_unstemmed | Corpo, sensi e realtà nel teatro italiano del nuovo millennio |
title_short | Corpo, sensi e realtà nel teatro italiano del nuovo millennio |
title_sort | corpo sensi e realta nel teatro italiano del nuovo millennio |
topic | Body, Senses, Reality, contemporary Theater, Performance, dramaturgy |
url | https://riviste.unimi.it/index.php/itinera/article/view/13887 |
work_keys_str_mv | AT paolaranzini corposensierealtanelteatroitalianodelnuovomillennio |