Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski
This article presents a comparative analysis of three contemporary stagings of the myth of Phaedra: by Maja Kleczewska (Teatr Narodowy, Warsaw 2006), Michał Zadara (Narodowy Teatr Stary, Cracow 2006), and Grzegorz Wiśniewski (Teatr Wybrzeże, Gdańsk 2019). The theoretical framework refers to the abje...
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| Format: | Article |
| Language: | English |
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Institute of Art of the Polish Academy of Sciences
2020-05-01
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| Series: | Pamiętnik Teatralny |
| Subjects: | |
| Online Access: | https://czasopisma.ispan.pl/index.php/pt/article/view/18 |
| _version_ | 1827357042810028032 |
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| author | Małgorzata Budzowska |
| author_facet | Małgorzata Budzowska |
| author_sort | Małgorzata Budzowska |
| collection | DOAJ |
| description | This article presents a comparative analysis of three contemporary stagings of the myth of Phaedra: by Maja Kleczewska (Teatr Narodowy, Warsaw 2006), Michał Zadara (Narodowy Teatr Stary, Cracow 2006), and Grzegorz Wiśniewski (Teatr Wybrzeże, Gdańsk 2019). The theoretical framework refers to the abject quality of the character of Phaedra and its representation in language. The author analyses the directors’ interventions in literary texts reworking the myth of Phaedra: strategies ranging from multiplication, through modification, to annihilation of the dramatic text. In Kleczewska’s intertextual staging, which juxtaposes different plays addressing the theme, the text and the language become less important than the actors’ physicality. Zadara’s ironic theatre deconstructs the discursive formation of Racine’s classical tragedy, while retaining it as the main subject of the performance. Wiśniewski returns to Rancine’s language, but tries to transcend it, counterbalancing it with quiet, restrained acting, enhanced by strong musical phrases. The three stagings resonate with the concept of the theatre as a laboratory of crisis, here: of the crisis of the abject. |
| first_indexed | 2024-03-08T05:19:39Z |
| format | Article |
| id | doaj.art-1d3780955fa24b70bd5a9e98e2461e8e |
| institution | Directory Open Access Journal |
| issn | 0031-0522 2658-2899 |
| language | English |
| last_indexed | 2024-03-08T05:19:39Z |
| publishDate | 2020-05-01 |
| publisher | Institute of Art of the Polish Academy of Sciences |
| record_format | Article |
| series | Pamiętnik Teatralny |
| spelling | doaj.art-1d3780955fa24b70bd5a9e98e2461e8e2024-02-06T13:27:30ZengInstitute of Art of the Polish Academy of SciencesPamiętnik Teatralny0031-05222658-28992020-05-01691517010.36744/pt.1814Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, WiśniewskiMałgorzata Budzowska0https://orcid.org/0000-0002-1953-2088Uniwersytet ŁódzkiThis article presents a comparative analysis of three contemporary stagings of the myth of Phaedra: by Maja Kleczewska (Teatr Narodowy, Warsaw 2006), Michał Zadara (Narodowy Teatr Stary, Cracow 2006), and Grzegorz Wiśniewski (Teatr Wybrzeże, Gdańsk 2019). The theoretical framework refers to the abject quality of the character of Phaedra and its representation in language. The author analyses the directors’ interventions in literary texts reworking the myth of Phaedra: strategies ranging from multiplication, through modification, to annihilation of the dramatic text. In Kleczewska’s intertextual staging, which juxtaposes different plays addressing the theme, the text and the language become less important than the actors’ physicality. Zadara’s ironic theatre deconstructs the discursive formation of Racine’s classical tragedy, while retaining it as the main subject of the performance. Wiśniewski returns to Rancine’s language, but tries to transcend it, counterbalancing it with quiet, restrained acting, enhanced by strong musical phrases. The three stagings resonate with the concept of the theatre as a laboratory of crisis, here: of the crisis of the abject.https://czasopisma.ispan.pl/index.php/pt/article/view/18myth of phaedraabjectlanguage of dramamise en scènemaja kleczewskamichał zadaragrzegorz wiśniewski |
| spellingShingle | Małgorzata Budzowska Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski Pamiętnik Teatralny myth of phaedra abject language of drama mise en scène maja kleczewska michał zadara grzegorz wiśniewski |
| title | Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski |
| title_full | Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski |
| title_fullStr | Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski |
| title_full_unstemmed | Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski |
| title_short | Abiekt uwięziony w języku: Współczesne inscenizacje mitu Fedry w teatrze polskim – Kleczewska, Zadara, Wiśniewski |
| title_sort | abiekt uwieziony w jezyku wspolczesne inscenizacje mitu fedry w teatrze polskim kleczewska zadara wisniewski |
| topic | myth of phaedra abject language of drama mise en scène maja kleczewska michał zadara grzegorz wiśniewski |
| url | https://czasopisma.ispan.pl/index.php/pt/article/view/18 |
| work_keys_str_mv | AT małgorzatabudzowska abiektuwiezionywjezykuwspołczesneinscenizacjemitufedrywteatrzepolskimkleczewskazadarawisniewski |