Icon of the Holy Mandylion and representation of multi-layered visual identity of Božidar Vuković
It was in the monastery of Saint Francis in Venice in the year 1520 when Božidar Vuković purchased the icon of the Holy Mandylion. By that particular acquisition, this prominent publisher originating from Zeta has visualized his new position in the sixteenth century Venice. The multi-layere...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Faculty of Philosophy, Belgrade
2015-01-01
|
| Series: | Zograf |
| Subjects: | |
| Online Access: | http://www.doiserbia.nb.rs/img/doi/0350-1361/2015/0350-13611539151B.pdf |
| Summary: | It was in the monastery of Saint Francis in Venice in the year 1520 when
Božidar Vuković purchased the icon of the Holy Mandylion. By that particular
acquisition, this prominent publisher originating from Zeta has visualized
his new position in the sixteenth century Venice. The multi-layered identity
of Božidar Vuković was manifested by the subsequent inclusion of the noble
coat of arms of the House of Vuković on the back of the icon. By the use of
verbal and visual language the artificial initiation of Božidar Vuković
within the distinguished members of Venetian society has been confirmed.
[Projekat Ministarstva nauke Republike Srbije, br. 177001: Predstave
identiteta u verbalno-vizuelnoj kulturi novog doba] |
|---|---|
| ISSN: | 0350-1361 2406-0755 |