| Summary: | This paper attempts to read Agatha Christie’s Death on the Nile (1937), a Hercule Poirot detective novel from a postcolonial stand in general but in particular it seeks traces of Orientalism in it. Expertly plotted and set in Egypt, an exotic background, Death on the Nile is analyzed in this study, through Edward W. Said’s critique of Orientalism, to detect the novel’s projection of the Orient and oriental. Orientalism is defined by Edward Said in his groundbreaking book Orientalism (1978) as a scholarly discipline involving the negative portrayal of the East and eastern people, values and culture by westerners and as western construction of the Orient in occidental discourse through western perspective. Composed of two sections the essay begins with a brief introduction to postcolonial criticism and the critique of Orientalism. Next Death on the Nile is analyzed in the light of the criticism of Orientalism in the second section. The projection of the Orient and oriental people, places, values, concepts and so forth detected in the novel are presented in two subsections of this part. The study concludes that Death on the Nilebeing a detective novel has an orientalist quality when it comes to the reflection of the Orient and oriental though Christie does not foreground this quality of the novel. Another conclusion reached at the end of this study is that for Christie, the Queen of detective fiction has been considered to be a best-selling novelist of all time, her novel, Death on the Nile with its orientalist attitude to the East and easterner, must have contributed to the construction of a negative and false image of the Orient in western mind and discourse
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