"Exoticism” in the opera Gilgamesh by Rudolf Brucci in Ralph Locke’s “All the music in the full context” paradigm
In this text, Rudolf Brucci’s opera Gilgamesh is viewed in the light of Ralph Locke’s “All the Music in the Full Context” Paradigm which promotes the approach that one should search for the exotic elements in musical works first in the discursive components (title, program, accompanying not...
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| Médium: | Článek |
| Jazyk: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2013-01-01
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| Edice: | Muzikologija |
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| On-line přístup: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2013/1450-98141315105S.pdf |