"Exoticism” in the opera Gilgamesh by Rudolf Brucci in Ralph Locke’s “All the music in the full context” paradigm

In this text, Rudolf Brucci’s opera Gilgamesh is viewed in the light of Ralph Locke’s “All the Music in the Full Context” Paradigm which promotes the approach that one should search for the exotic elements in musical works first in the discursive components (title, program, accompanying not...

Disgrifiad llawn

Manylion Llyfryddiaeth
Prif Awdur: Sovtić Nemanja
Fformat: Erthygl
Iaith:English
Cyhoeddwyd: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2013-01-01
Cyfres:Muzikologija
Pynciau:
Mynediad Ar-lein:http://www.doiserbia.nb.rs/img/doi/1450-9814/2013/1450-98141315105S.pdf