Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8

Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude. In the first part, Systemic Modeling will be presented with its theoretical assum...

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Main Authors: Liduino Pitombeira, Marcel Castro Lima
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2018-11-01
Series:Opus
Subjects:
Online Access:https://www.anppom.com.br/revista/index.php/opus/article/view/625
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author Liduino Pitombeira
Marcel Castro Lima
author_facet Liduino Pitombeira
Marcel Castro Lima
author_sort Liduino Pitombeira
collection DOAJ
description Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude. In the first part, Systemic Modeling will be presented with its theoretical assumptions and methodological phases. Then we propose the possibility of a Schenkerian Analysis in which Costère’s Acoustic Polarization offers a solution to the hierarchy problem, arising from the post-tonal environment of the analyzed piece. The analytical process is described in detail. Finally, we demonstrate the Compositional Planning process of Preludio, based on the Compositional System resulting from the modeling of Ponteio n. 8.
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spelling doaj.art-1d676de461f94e1bbbe94ebef34935502022-12-22T02:33:59ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172018-11-0124312014810.20504/opus2018c2406477Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8Liduino Pitombeira0Marcel Castro Lima1UFRJUNIRIODivided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude. In the first part, Systemic Modeling will be presented with its theoretical assumptions and methodological phases. Then we propose the possibility of a Schenkerian Analysis in which Costère’s Acoustic Polarization offers a solution to the hierarchy problem, arising from the post-tonal environment of the analyzed piece. The analytical process is described in detail. Finally, we demonstrate the Compositional Planning process of Preludio, based on the Compositional System resulting from the modeling of Ponteio n. 8.https://www.anppom.com.br/revista/index.php/opus/article/view/625Compositionmusical analysisSystemic ModelingSchenkerian analysisacoustic polarization.
spellingShingle Liduino Pitombeira
Marcel Castro Lima
Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
Opus
Composition
musical analysis
Systemic Modeling
Schenkerian analysis
acoustic polarization.
title Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
title_full Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
title_fullStr Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
title_full_unstemmed Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
title_short Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8
title_sort systemic modeling of camargo guarnieri s ponteio n 8
topic Composition
musical analysis
Systemic Modeling
Schenkerian analysis
acoustic polarization.
url https://www.anppom.com.br/revista/index.php/opus/article/view/625
work_keys_str_mv AT liduinopitombeira systemicmodelingofcamargoguarnierisponteion8
AT marcelcastrolima systemicmodelingofcamargoguarnierisponteion8