“Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat

Critical commentary on Jak de Wet in Marlene van Niekerk’s Agaat centres on his being a patriarchal stereotype of Afrikaner nationalism. However, while his negative behaviour in the novel is undeniable, the construction of his masculine identity is mediated by the emasculated space in which he enact...

Full description

Bibliographic Details
Main Author: Antoinette Pretorius
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2017-03-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/1840
_version_ 1818002360291557376
author Antoinette Pretorius
author_facet Antoinette Pretorius
author_sort Antoinette Pretorius
collection DOAJ
description Critical commentary on Jak de Wet in Marlene van Niekerk’s Agaat centres on his being a patriarchal stereotype of Afrikaner nationalism. However, while his negative behaviour in the novel is undeniable, the construction of his masculine identity is mediated by the emasculated space in which he enacts it. This article reads his masculinity in relation to the concept of “hegemonic masculinity”, the spatial construction of public and private masculine identities, and masculinity as performative. This highlights the ways in which Jak’s representation reveals transient moments of insight. These moments find expression in the novel’s recurring images of mobility that culminate in his death.
first_indexed 2024-04-14T03:44:51Z
format Article
id doaj.art-1d7578c45f4c4c958bbc8af54ff70f01
institution Directory Open Access Journal
issn 0041-476X
2309-9070
language Afrikaans
last_indexed 2024-04-14T03:44:51Z
publishDate 2017-03-01
publisher Tydskrif vir Letterkunde Association
record_format Article
series Tydskrif vir Letterkunde
spelling doaj.art-1d7578c45f4c4c958bbc8af54ff70f012022-12-22T02:14:18ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702017-03-01511“Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s AgaatAntoinette Pretorius0University of PretoriaCritical commentary on Jak de Wet in Marlene van Niekerk’s Agaat centres on his being a patriarchal stereotype of Afrikaner nationalism. However, while his negative behaviour in the novel is undeniable, the construction of his masculine identity is mediated by the emasculated space in which he enacts it. This article reads his masculinity in relation to the concept of “hegemonic masculinity”, the spatial construction of public and private masculine identities, and masculinity as performative. This highlights the ways in which Jak’s representation reveals transient moments of insight. These moments find expression in the novel’s recurring images of mobility that culminate in his death.https://journals.assaf.org.za/index.php/tvl/article/view/1840Afrikaner nationalismAgaatmasculinityMarlene van Niekerk
spellingShingle Antoinette Pretorius
“Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
Tydskrif vir Letterkunde
Afrikaner nationalism
Agaat
masculinity
Marlene van Niekerk
title “Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
title_full “Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
title_fullStr “Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
title_full_unstemmed “Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
title_short “Why were we crucified into car mechanics?”: Masculine identity in Marlene van Niekerk’s Agaat
title_sort why were we crucified into car mechanics masculine identity in marlene van niekerk s agaat
topic Afrikaner nationalism
Agaat
masculinity
Marlene van Niekerk
url https://journals.assaf.org.za/index.php/tvl/article/view/1840
work_keys_str_mv AT antoinettepretorius whywerewecrucifiedintocarmechanicsmasculineidentityinmarlenevanniekerksagaat