Foreshadowing in Ruano de la Haza’s twenty-first century adaptation of Rojas’ Celestina
Ruano de la Haza’s 2004 version of Rojas’ Celestina (ca.1499/ca.1502) can be regarded as an adaptation of the Spanish work intended to be represented on the stage. One of its formal and thematic peculiar traits is its inclusion of a free rendering of Pleberio's soliloquy, which becomes both the...
Main Author: | María Ángeles Ruiz Moneva |
---|---|
Format: | Article |
Language: | English |
Published: |
Universidad de Valencia, Departamento de Filología Española
2021-01-01
|
Series: | Celestinesca |
Subjects: | |
Online Access: | https://ojs.uv.es/index.php/celestinesca/article/view/20244 |
Similar Items
-
A imagem da bruxa em La Celestina, de Fernando de Rojas
by: Bárbara Loureiro Andreta, et al.
Published: (2016-01-01) -
Imágenes y anagnórisis en "La Celestina"
by: Luis Galván
Published: (2005-07-01) -
Fernando de Rojas and <i>La Celestina</i> through historical fiction: authorship and Jewish descent
by: Antonio Huertas Morales
Published: (2021-01-01) -
Reescribir La Celestina del siglo XIX al XXI: estrategias peritextuales
by: Jéromine François
Published: (2018-09-01) -
L’amitié dans La Célestine de Fernando de Rojas
by: Carlos Heusch
Published: (2015-06-01)