Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina
During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque...
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| Format: | Article |
| Language: | English |
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Institut des Amériques
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| Series: | IdeAs |
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| Online Access: | https://journals.openedition.org/ideas/1528 |
| _version_ | 1797305835219582976 |
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| author | Ana Laura Lusnich |
| author_facet | Ana Laura Lusnich |
| author_sort | Ana Laura Lusnich |
| collection | DOAJ |
| description | During last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque tales that evading the realistic-mimetic representation and the primacy of the allegorical and metaphorical operations as constructive principles were two textual features that gave uniqueness to the trend. With the intention of knowing the permeability of this cinematographic line in respect of the political practices and the situations of terror imposed in the years of non-constitutional governments, the present work proposes to analyze the representation of the domination against individuals and the society, with emphasis in the emplacements and/or the displacements of dramatical subjects and the reference to situations of internal and external exile. The second objective of the paper includes the identification, in these historical situations associated to discipline and social extreme control, of subjectivities characterized by fracture and instability. The development of both aspects will be focused on two outstanding films of the trend: Los miedos [“Fears”] (Alejandro Doria, 1980) and Hay unos tipos abajo [“Some guys downstairs”] (Rafael Filippelli and Emilio Alfaro, 1985). |
| first_indexed | 2024-03-08T00:32:19Z |
| format | Article |
| id | doaj.art-1de80b3c49cf4752bf2b98904a722428 |
| institution | Directory Open Access Journal |
| issn | 1950-5701 |
| language | English |
| last_indexed | 2024-03-08T00:32:19Z |
| publisher | Institut des Amériques |
| record_format | Article |
| series | IdeAs |
| spelling | doaj.art-1de80b3c49cf4752bf2b98904a7224282024-02-15T13:54:36ZengInstitut des AmériquesIdeAs1950-5701710.4000/ideas.1528Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en ArgentinaAna Laura LusnichDuring last Argentine militar dictatorship (1976-1983), and first period of the post-dictatorship (1983-1989), the hermetic-metaphoric fictions constituted an alternative cinematographic tendency that showed the main conflicts of that time in a reflexive and critical way. The construction of opaque tales that evading the realistic-mimetic representation and the primacy of the allegorical and metaphorical operations as constructive principles were two textual features that gave uniqueness to the trend. With the intention of knowing the permeability of this cinematographic line in respect of the political practices and the situations of terror imposed in the years of non-constitutional governments, the present work proposes to analyze the representation of the domination against individuals and the society, with emphasis in the emplacements and/or the displacements of dramatical subjects and the reference to situations of internal and external exile. The second objective of the paper includes the identification, in these historical situations associated to discipline and social extreme control, of subjectivities characterized by fracture and instability. The development of both aspects will be focused on two outstanding films of the trend: Los miedos [“Fears”] (Alejandro Doria, 1980) and Hay unos tipos abajo [“Some guys downstairs”] (Rafael Filippelli and Emilio Alfaro, 1985).https://journals.openedition.org/ideas/1528dictatorshipArgentine Cinemapost-dictatorshipfictionallegorymetaphor |
| spellingShingle | Ana Laura Lusnich Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina IdeAs dictatorship Argentine Cinema post-dictatorship fiction allegory metaphor |
| title | Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina |
| title_full | Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina |
| title_fullStr | Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina |
| title_full_unstemmed | Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina |
| title_short | Formas de la dominación social en las ficciones alegóricas y metafóricas realizadas en épocas de la dictadura y la postdictadura en Argentina |
| title_sort | formas de la dominacion social en las ficciones alegoricas y metaforicas realizadas en epocas de la dictadura y la postdictadura en argentina |
| topic | dictatorship Argentine Cinema post-dictatorship fiction allegory metaphor |
| url | https://journals.openedition.org/ideas/1528 |
| work_keys_str_mv | AT analauralusnich formasdeladominacionsocialenlasficcionesalegoricasymetaforicasrealizadasenepocasdeladictaduraylapostdictaduraenargentina |