Animalistic Images in Prose by E. Canetti and А. P. Platonov
Animalistic images in the prose of the Austrian writer, Nobel prize winner Elias Canetti (1905-1994) and the Russian writer A. P. Platonov (1899-1951) are discussed. Prose works of Canetti and Platonov belonging to different genres (notes, novel, story, essay) were compared. The authors use the term...
Main Authors: | E. M. Shastina, N. E. Seybel |
---|---|
Format: | Article |
Language: | Russian |
Published: |
Tsentr nauchnykh i obrazovatelnykh proektov
2017-01-01
|
Series: | Научный диалог |
Subjects: | |
Online Access: | https://www.nauka-dialog.ru/jour/article/view/277 |
Similar Items
-
The Grotesque Masks of Elias Canetti: Monads with no Doors or Windows
by: Jelena Ulrike Reinhardt
Published: (2017-01-01) -
Jacques Derrida and zoomorphism: an inquiry
by: Kamil Michta
Published: (2018-05-01) -
An integrated psychology of (animalistic) dehumanization requires a focus on human-animal relations
by: Gordon Hodson, et al.
Published: (2023-01-01) -
Motif of the Whacky in A. Platonov’s Play “Apprentice Lyceum”
Published: (2015-03-01) -
Dichotomy of Friend” and “Foe” in Structure of Eastern Notes of F. Salten, F. Werfel, E. Canetti
by: N. E. Seibel, et al.
Published: (2022-04-01)