‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena

This article looks first at the contemporary and historical, formal and semantic background of the English verb commit and its various uses in the domain of artistic production. The second part of the article looks at the representations of the notion of ‘commitment’ in present-day French, German an...

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Main Author: Henry DANIELS
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2016-06-01
Series:E-REA
Subjects:
Online Access:http://journals.openedition.org/erea/5095
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author Henry DANIELS
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author_sort Henry DANIELS
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description This article looks first at the contemporary and historical, formal and semantic background of the English verb commit and its various uses in the domain of artistic production. The second part of the article looks at the representations of the notion of ‘commitment’ in present-day French, German and Italian. The study brings to light fundamental intra- and inter-language differences with regard to the representation of the notion, leading to the conclusion that there is, as far as artistic commitment is concerned, no common semantic backdrop inherited from Antiquity or Indo-European.
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spelling doaj.art-1e062c03d33b4e19b27ce555d68ad94b2022-12-21T21:58:15ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182016-06-011310.4000/erea.5095‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arenaHenry DANIELSThis article looks first at the contemporary and historical, formal and semantic background of the English verb commit and its various uses in the domain of artistic production. The second part of the article looks at the representations of the notion of ‘commitment’ in present-day French, German and Italian. The study brings to light fundamental intra- and inter-language differences with regard to the representation of the notion, leading to the conclusion that there is, as far as artistic commitment is concerned, no common semantic backdrop inherited from Antiquity or Indo-European.http://journals.openedition.org/erea/5095commitmentcontemplative and conative artIndo-EuropeanAntiquitylexicologyetymology
spellingShingle Henry DANIELS
‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
E-REA
commitment
contemplative and conative art
Indo-European
Antiquity
lexicology
etymology
title ‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
title_full ‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
title_fullStr ‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
title_full_unstemmed ‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
title_short ‘Promising’? ‘Hiring’? ‘Coloring’? ‘Pawning’? Reflections on the notion of artistic ‘commitment’ in the Indo-European arena
title_sort promising hiring coloring pawning reflections on the notion of artistic commitment in the indo european arena
topic commitment
contemplative and conative art
Indo-European
Antiquity
lexicology
etymology
url http://journals.openedition.org/erea/5095
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