Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing

On the basis of early researches about the relations between literature and visual culture, this essay analyses language and themes of some of Tommaso Pincio’s fictional works that include iconographic elements. The catalogue created by Michele Cometa is adopted as an essential critic method. It ide...

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Main Author: Lavinia Torti
Format: Article
Language:English
Published: University of Bologna 2019-08-01
Series:Griseldaonline
Subjects:
Online Access:https://griseldaonline.unibo.it/article/view/9372
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author Lavinia Torti
author_facet Lavinia Torti
author_sort Lavinia Torti
collection DOAJ
description On the basis of early researches about the relations between literature and visual culture, this essay analyses language and themes of some of Tommaso Pincio’s fictional works that include iconographic elements. The catalogue created by Michele Cometa is adopted as an essential critic method. It identifies four ways to connect literature and visual art: the Doppelbegabung (or double talent); the ekphrasis; the mixed media; the homologies (structural, thematic, poetological, metaphorical). This article proposes a study of the strategies used by Pincio to bridge visual and verbal language. In particular, it explores his double talent in creating artworks and including them in his works of fiction (the covers of Cinacittà, 2008, and Lo spazio sfinito, 2000); the iconotexts like Pulp Roma (2012), Lo spazio sfinito, Hotel a zero stelle (2011); the creation of ekphrasis in Il dono di saper vivere (2018); the theorization of the structural homology in Panorama (2015).
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spelling doaj.art-1e1bf8f7a56b4a438c5bfb84cd806e072022-12-21T19:54:44ZengUniversity of BolognaGriseldaonline1721-47772019-08-0118114916710.6092/issn.1721-4777/93727919Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual WritingLavinia Torti0https://orcid.org/0000-0002-7490-5633Alma Mater Studiorum - Università di BolognaOn the basis of early researches about the relations between literature and visual culture, this essay analyses language and themes of some of Tommaso Pincio’s fictional works that include iconographic elements. The catalogue created by Michele Cometa is adopted as an essential critic method. It identifies four ways to connect literature and visual art: the Doppelbegabung (or double talent); the ekphrasis; the mixed media; the homologies (structural, thematic, poetological, metaphorical). This article proposes a study of the strategies used by Pincio to bridge visual and verbal language. In particular, it explores his double talent in creating artworks and including them in his works of fiction (the covers of Cinacittà, 2008, and Lo spazio sfinito, 2000); the iconotexts like Pulp Roma (2012), Lo spazio sfinito, Hotel a zero stelle (2011); the creation of ekphrasis in Il dono di saper vivere (2018); the theorization of the structural homology in Panorama (2015).https://griseldaonline.unibo.it/article/view/9372tommaso pincioekphrasisiconotestifotografiacultura visuale
spellingShingle Lavinia Torti
Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
Griseldaonline
tommaso pincio
ekphrasis
iconotesti
fotografia
cultura visuale
title Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
title_full Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
title_fullStr Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
title_full_unstemmed Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
title_short Tommaso Pincio, Art in Literature. Among iconotexts, ekphrasis and Visual Writing
title_sort tommaso pincio art in literature among iconotexts ekphrasis and visual writing
topic tommaso pincio
ekphrasis
iconotesti
fotografia
cultura visuale
url https://griseldaonline.unibo.it/article/view/9372
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