Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration
This article explores the first-time choreographic collaboration between Eiko Otake, a renowned Japanese dance artist, and Wen Hui, a celebrated Chinese choreographer and filmmaker, which took place in mainland China in January of 2020. The outbreak of the coronavirus in Wuhan compelled Otake to ret...
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| Format: | Article |
| Language: | English |
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MDPI AG
2024-02-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/13/1/28 |
| _version_ | 1797298940571287552 |
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| author | Jingqiu Guan |
| author_facet | Jingqiu Guan |
| author_sort | Jingqiu Guan |
| collection | DOAJ |
| description | This article explores the first-time choreographic collaboration between Eiko Otake, a renowned Japanese dance artist, and Wen Hui, a celebrated Chinese choreographer and filmmaker, which took place in mainland China in January of 2020. The outbreak of the coronavirus in Wuhan compelled Otake to return to the US prematurely, and the subsequent global pandemic led the two artists to continue working together through the computer screen. Constructed from daily footage of Wen and Otake moving together, conversing about their personal histories and choreographic works, and visiting the Nanjing Massacre Memorial, the resulting documentary film <i>No Rule Is Our Rule</i> (2023, 74 min) offers a poignant portrayal of their creative process, which places utmost importance on honesty and openness. Through an in-depth analysis of their artistic exploration presented through the film, the article examines how their collaborative endeavor which prioritizes corporeal interaction and unfiltered dialogues can be conceived as a form of mediated social choreography. I argue that their embodied methodology, grounded in the interweaving of personal and social memories, points to the potential for collective healing from the tension and trauma in Sino-Japanese history and promotes collective imagining through intercultural dialogues. |
| first_indexed | 2024-03-07T22:42:19Z |
| format | Article |
| id | doaj.art-1e38d71017854a2c9e691d8a6639757e |
| institution | Directory Open Access Journal |
| issn | 2076-0752 |
| language | English |
| last_indexed | 2024-03-07T22:42:19Z |
| publishDate | 2024-02-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Arts |
| spelling | doaj.art-1e38d71017854a2c9e691d8a6639757e2024-02-23T15:06:54ZengMDPI AGArts2076-07522024-02-011312810.3390/arts13010028Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic CollaborationJingqiu Guan0Trinity College of Arts & Sciences, Duke University, Durham, NC 27708, USAThis article explores the first-time choreographic collaboration between Eiko Otake, a renowned Japanese dance artist, and Wen Hui, a celebrated Chinese choreographer and filmmaker, which took place in mainland China in January of 2020. The outbreak of the coronavirus in Wuhan compelled Otake to return to the US prematurely, and the subsequent global pandemic led the two artists to continue working together through the computer screen. Constructed from daily footage of Wen and Otake moving together, conversing about their personal histories and choreographic works, and visiting the Nanjing Massacre Memorial, the resulting documentary film <i>No Rule Is Our Rule</i> (2023, 74 min) offers a poignant portrayal of their creative process, which places utmost importance on honesty and openness. Through an in-depth analysis of their artistic exploration presented through the film, the article examines how their collaborative endeavor which prioritizes corporeal interaction and unfiltered dialogues can be conceived as a form of mediated social choreography. I argue that their embodied methodology, grounded in the interweaving of personal and social memories, points to the potential for collective healing from the tension and trauma in Sino-Japanese history and promotes collective imagining through intercultural dialogues.https://www.mdpi.com/2076-0752/13/1/28social choreographydocumentarysocial memoriesperformance |
| spellingShingle | Jingqiu Guan Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration Arts social choreography documentary social memories performance |
| title | Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration |
| title_full | Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration |
| title_fullStr | Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration |
| title_full_unstemmed | Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration |
| title_short | Choreographing Social Memories: Healing and Collective Imagining in Eiko Otake and Wen Hui’s Artistic Collaboration |
| title_sort | choreographing social memories healing and collective imagining in eiko otake and wen hui s artistic collaboration |
| topic | social choreography documentary social memories performance |
| url | https://www.mdpi.com/2076-0752/13/1/28 |
| work_keys_str_mv | AT jingqiuguan choreographingsocialmemorieshealingandcollectiveimaginingineikootakeandwenhuisartisticcollaboration |