L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro

New forms of resistance have been emerging in the favelas of Rio de Janeiro, to cope with different ways of violence and stigmatization. The classic forms of popular mobilization are shaken up by protest movements which capitalize on new tools of activism. Artistic practices - and in particular thea...

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Main Author: Fanny Arnulf
Format: Article
Language:English
Published: Institut des Amériques
Series:IdeAs
Subjects:
Online Access:https://journals.openedition.org/ideas/10716
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author Fanny Arnulf
author_facet Fanny Arnulf
author_sort Fanny Arnulf
collection DOAJ
description New forms of resistance have been emerging in the favelas of Rio de Janeiro, to cope with different ways of violence and stigmatization. The classic forms of popular mobilization are shaken up by protest movements which capitalize on new tools of activism. Artistic practices - and in particular theater - play an important role in this area, by creating spaces for dialogue, transmission of knowledge and awareness. Based on empirical data collected during a six-month field survey in the Maré favela complex (Rio de Janeiro), our work aims to understand how the practice of the Theater of the Oppressed can lead favelados actresses and actors to engage in a struggle for the recognition of their rights. Building on the theory for recognition this research investigates the relationship between art, politicization and activism, in space hit by violence and marginalization.
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spelling doaj.art-1e5f733578c54b709ccd65043d1b29582024-02-15T13:54:52ZengInstitut des AmériquesIdeAs1950-57011710.4000/ideas.10716L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de JaneiroFanny ArnulfNew forms of resistance have been emerging in the favelas of Rio de Janeiro, to cope with different ways of violence and stigmatization. The classic forms of popular mobilization are shaken up by protest movements which capitalize on new tools of activism. Artistic practices - and in particular theater - play an important role in this area, by creating spaces for dialogue, transmission of knowledge and awareness. Based on empirical data collected during a six-month field survey in the Maré favela complex (Rio de Janeiro), our work aims to understand how the practice of the Theater of the Oppressed can lead favelados actresses and actors to engage in a struggle for the recognition of their rights. Building on the theory for recognition this research investigates the relationship between art, politicization and activism, in space hit by violence and marginalization.https://journals.openedition.org/ideas/10716resistanceFavelastheater of the Oppressedstruggle for recognitionartivism
spellingShingle Fanny Arnulf
L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
IdeAs
resistance
Favelas
theater of the Oppressed
struggle for recognition
artivism
title L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
title_full L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
title_fullStr L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
title_full_unstemmed L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
title_short L’art de résister : de la pratique théâtrale à la lutte pour la reconnaissance dans les favelas de Rio de Janeiro
title_sort l art de resister de la pratique theatrale a la lutte pour la reconnaissance dans les favelas de rio de janeiro
topic resistance
Favelas
theater of the Oppressed
struggle for recognition
artivism
url https://journals.openedition.org/ideas/10716
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