A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli
During the Renaissance, Venice acquired a leading role as a publishing centre and as a gathering place for geographical and cartographical information. New historical and cultural conditions, such as the rise of the Ottoman Empire and the secularization of the discourse on travel, lead to the possib...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
UNICApress
2011-11-01
|
| Series: | Between |
| Subjects: | |
| Online Access: | http://ojs.unica.it/index.php/between/article/view/277 |
| _version_ | 1797715347985399808 |
|---|---|
| author | Toni Veneri |
| author_facet | Toni Veneri |
| author_sort | Toni Veneri |
| collection | DOAJ |
| description | During the Renaissance, Venice acquired a leading role as a publishing centre and as a gathering place for geographical and cartographical information. New historical and cultural conditions, such as the rise of the Ottoman Empire and the secularization of the discourse on travel, lead to the possibility of adapting the traditional scheme of the pilgrimage to an itinerary for which the final destination represented a political utopia (Constantinople) rather than a religious one (Jerusalem).
The traditional features of the pious journey thus came to a negotiation with new spatial paradigms emerging through the cartographical renewal, the development of the printing industry, and the invention of geopolitics. The high symbolic investment of the Republic in this journey not only had strong political, ideological and economic meanings, but also a crucial geographical relevance. From one perspective, as typical of the Venetian genre of the isolario, drawing on the notion of the microcosm, the itinerary becomes fragmented and cartographically idealized to represent an inventory of Venetian maritime possessions. From another, the marvel awakened in travellers from the Ottoman capital, referring to their descriptions and narrations in a process of secularization launched by Marco Polo, enhances the material presence in places where the political power seems to have reached levels of utopian perfection – places Michel Foucault would name heterotopias. |
| first_indexed | 2024-03-12T08:05:35Z |
| format | Article |
| id | doaj.art-1e7a85416719424296451680524dfd9b |
| institution | Directory Open Access Journal |
| issn | 2039-6597 |
| language | English |
| last_indexed | 2024-03-12T08:05:35Z |
| publishDate | 2011-11-01 |
| publisher | UNICApress |
| record_format | Article |
| series | Between |
| spelling | doaj.art-1e7a85416719424296451680524dfd9b2023-09-02T19:32:51ZengUNICApressBetween2039-65972011-11-011210.13125/2039-6597/277204A proposito dell’iconografia e della cartografia del viaggio rinascimentale a CostantinopoliToni Veneri0Università di TriesteDuring the Renaissance, Venice acquired a leading role as a publishing centre and as a gathering place for geographical and cartographical information. New historical and cultural conditions, such as the rise of the Ottoman Empire and the secularization of the discourse on travel, lead to the possibility of adapting the traditional scheme of the pilgrimage to an itinerary for which the final destination represented a political utopia (Constantinople) rather than a religious one (Jerusalem). The traditional features of the pious journey thus came to a negotiation with new spatial paradigms emerging through the cartographical renewal, the development of the printing industry, and the invention of geopolitics. The high symbolic investment of the Republic in this journey not only had strong political, ideological and economic meanings, but also a crucial geographical relevance. From one perspective, as typical of the Venetian genre of the isolario, drawing on the notion of the microcosm, the itinerary becomes fragmented and cartographically idealized to represent an inventory of Venetian maritime possessions. From another, the marvel awakened in travellers from the Ottoman capital, referring to their descriptions and narrations in a process of secularization launched by Marco Polo, enhances the material presence in places where the political power seems to have reached levels of utopian perfection – places Michel Foucault would name heterotopias.http://ojs.unica.it/index.php/between/article/view/277MicrocosmoEterotopiaCartografiaLetteratura di viaggioRinascimentoVeneziaCostantinopoli |
| spellingShingle | Toni Veneri A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli Between Microcosmo Eterotopia Cartografia Letteratura di viaggio Rinascimento Venezia Costantinopoli |
| title | A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli |
| title_full | A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli |
| title_fullStr | A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli |
| title_full_unstemmed | A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli |
| title_short | A proposito dell’iconografia e della cartografia del viaggio rinascimentale a Costantinopoli |
| title_sort | proposito dell iconografia e della cartografia del viaggio rinascimentale a costantinopoli |
| topic | Microcosmo Eterotopia Cartografia Letteratura di viaggio Rinascimento Venezia Costantinopoli |
| url | http://ojs.unica.it/index.php/between/article/view/277 |
| work_keys_str_mv | AT toniveneri apropositodelliconografiaedellacartografiadelviaggiorinascimentaleacostantinopoli AT toniveneri propositodelliconografiaedellacartografiadelviaggiorinascimentaleacostantinopoli |