A Prop’s Story: from everyday life to the stage
An everyday object can be used in performance as a mediator between the reality of the stage and that of the narrative. It can go back and forward between these universes, allowing performers to play with the boundaries between presentational and fictional spaces, as defined by Gay McAuley in Space...
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2013-07-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | http://seer.ufrgs.br/presenca/article/view/35076/26141 |
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author | Filipa Malva |
author_facet | Filipa Malva |
author_sort | Filipa Malva |
collection | DOAJ |
description | An everyday object can be used in performance as a mediator between the reality of the stage and that of the narrative. It can go back and forward between these universes, allowing performers to play with the boundaries between presentational and fictional spaces, as defined by Gay McAuley in Space in Performance – re-positioning the narrative, either mentally or spatially. Performers can achieve this change by manipulating the perception of an object’s function, scale, sound and aesthetics. The performer uses the object’s original characteristics, such as colour, texture, form and design purpose, as potential clues, reframing them to establish new links with the main narrative. This process of transformation makes for a fluid scenography/dramaturgy relationship where performers, scenographer and, of course, spectators share the experiencee an emerging theatrical creation. |
first_indexed | 2024-04-12T02:49:17Z |
format | Article |
id | doaj.art-1e819db416cb474581a6d3254846fc0d |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-04-12T02:49:17Z |
publishDate | 2013-07-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-1e819db416cb474581a6d3254846fc0d2022-12-22T03:51:02ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602013-07-0132601616A Prop’s Story: from everyday life to the stageFilipa MalvaAn everyday object can be used in performance as a mediator between the reality of the stage and that of the narrative. It can go back and forward between these universes, allowing performers to play with the boundaries between presentational and fictional spaces, as defined by Gay McAuley in Space in Performance – re-positioning the narrative, either mentally or spatially. Performers can achieve this change by manipulating the perception of an object’s function, scale, sound and aesthetics. The performer uses the object’s original characteristics, such as colour, texture, form and design purpose, as potential clues, reframing them to establish new links with the main narrative. This process of transformation makes for a fluid scenography/dramaturgy relationship where performers, scenographer and, of course, spectators share the experiencee an emerging theatrical creation.http://seer.ufrgs.br/presenca/article/view/35076/26141ScenographyStage PropertyPractice-as-researchObjectEveryday |
spellingShingle | Filipa Malva A Prop’s Story: from everyday life to the stage Revista Brasileira de Estudos da Presença Scenography Stage Property Practice-as-research Object Everyday |
title | A Prop’s Story: from everyday life to the stage |
title_full | A Prop’s Story: from everyday life to the stage |
title_fullStr | A Prop’s Story: from everyday life to the stage |
title_full_unstemmed | A Prop’s Story: from everyday life to the stage |
title_short | A Prop’s Story: from everyday life to the stage |
title_sort | prop s story from everyday life to the stage |
topic | Scenography Stage Property Practice-as-research Object Everyday |
url | http://seer.ufrgs.br/presenca/article/view/35076/26141 |
work_keys_str_mv | AT filipamalva apropsstoryfromeverydaylifetothestage AT filipamalva propsstoryfromeverydaylifetothestage |