All the guilt. «Il mestiere di vivere» as a judicial court
In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primaril...
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Format: | Article |
Language: | English |
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University of Bologna
2023-12-01
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Series: | Griseldaonline |
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Online Access: | https://griseldaonline.unibo.it/article/view/15982 |
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author | Ivan Tassi |
author_facet | Ivan Tassi |
author_sort | Ivan Tassi |
collection | DOAJ |
description | In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primarily employed by Rousseau and also found in the diaries of Tolstoy and Kafka, transforms the journal into a theatrical and gratuitous «self-performance». This spectacle disguises itself as an ethical conduct examination, only to culminate in a sterile representation of «maudlin self-pity». In this regard, the process of self-condemnation is confused with a narcissistic stage, where the humiliation of the diarist hides a masked and cathartic glorification of his ego, following the model observed by Baudelaire in Rousseau’s Confessions. |
first_indexed | 2024-03-08T18:51:42Z |
format | Article |
id | doaj.art-1e8904b08a7142c7a5486858e6ffa04c |
institution | Directory Open Access Journal |
issn | 1721-4777 |
language | English |
last_indexed | 2024-03-08T18:51:42Z |
publishDate | 2023-12-01 |
publisher | University of Bologna |
record_format | Article |
series | Griseldaonline |
spelling | doaj.art-1e8904b08a7142c7a5486858e6ffa04c2023-12-28T16:39:23ZengUniversity of BolognaGriseldaonline1721-47772023-12-0122210912610.6092/issn.1721-4777/1598214329All the guilt. «Il mestiere di vivere» as a judicial courtIvan Tassi0Eastern College Consortium (Bologna)In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primarily employed by Rousseau and also found in the diaries of Tolstoy and Kafka, transforms the journal into a theatrical and gratuitous «self-performance». This spectacle disguises itself as an ethical conduct examination, only to culminate in a sterile representation of «maudlin self-pity». In this regard, the process of self-condemnation is confused with a narcissistic stage, where the humiliation of the diarist hides a masked and cathartic glorification of his ego, following the model observed by Baudelaire in Rousseau’s Confessions.https://griseldaonline.unibo.it/article/view/15982cesare paveseconfessione letterariadiario come tribunale«mestiere di vivere»teoria del diario |
spellingShingle | Ivan Tassi All the guilt. «Il mestiere di vivere» as a judicial court Griseldaonline cesare pavese confessione letteraria diario come tribunale «mestiere di vivere» teoria del diario |
title | All the guilt. «Il mestiere di vivere» as a judicial court |
title_full | All the guilt. «Il mestiere di vivere» as a judicial court |
title_fullStr | All the guilt. «Il mestiere di vivere» as a judicial court |
title_full_unstemmed | All the guilt. «Il mestiere di vivere» as a judicial court |
title_short | All the guilt. «Il mestiere di vivere» as a judicial court |
title_sort | all the guilt il mestiere di vivere as a judicial court |
topic | cesare pavese confessione letteraria diario come tribunale «mestiere di vivere» teoria del diario |
url | https://griseldaonline.unibo.it/article/view/15982 |
work_keys_str_mv | AT ivantassi alltheguiltilmestieredivivereasajudicialcourt |