All the guilt. «Il mestiere di vivere» as a judicial court

In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primaril...

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Main Author: Ivan Tassi
Format: Article
Language:English
Published: University of Bologna 2023-12-01
Series:Griseldaonline
Subjects:
Online Access:https://griseldaonline.unibo.it/article/view/15982
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author Ivan Tassi
author_facet Ivan Tassi
author_sort Ivan Tassi
collection DOAJ
description In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primarily employed by Rousseau and also found in the diaries of Tolstoy and Kafka, transforms the journal into a theatrical and gratuitous «self-performance». This spectacle disguises itself as an ethical conduct examination, only to culminate in a sterile representation of «maudlin self-pity». In this regard, the process of self-condemnation is confused with a narcissistic stage, where the humiliation of the diarist hides a masked and cathartic glorification of his ego, following the model observed by Baudelaire in Rousseau’s Confessions.
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spelling doaj.art-1e8904b08a7142c7a5486858e6ffa04c2023-12-28T16:39:23ZengUniversity of BolognaGriseldaonline1721-47772023-12-0122210912610.6092/issn.1721-4777/1598214329All the guilt. «Il mestiere di vivere» as a judicial courtIvan Tassi0Eastern College Consortium (Bologna)In the initial phase of his diary – Il mestiere di vivere (1936-1938) – Cesare Pavese employs writing as a sort of judicial court, where the ego undergoes the procedures of a ruthless and accusatory self-examination. This essay aims to demonstrate how the autobiographical procedural system, primarily employed by Rousseau and also found in the diaries of Tolstoy and Kafka, transforms the journal into a theatrical and gratuitous «self-performance». This spectacle disguises itself as an ethical conduct examination, only to culminate in a sterile representation of «maudlin self-pity». In this regard, the process of self-condemnation is confused with a narcissistic stage, where the humiliation of the diarist hides a masked and cathartic glorification of his ego, following the model observed by Baudelaire in Rousseau’s Confessions.https://griseldaonline.unibo.it/article/view/15982cesare paveseconfessione letterariadiario come tribunale«mestiere di vivere»teoria del diario
spellingShingle Ivan Tassi
All the guilt. «Il mestiere di vivere» as a judicial court
Griseldaonline
cesare pavese
confessione letteraria
diario come tribunale
«mestiere di vivere»
teoria del diario
title All the guilt. «Il mestiere di vivere» as a judicial court
title_full All the guilt. «Il mestiere di vivere» as a judicial court
title_fullStr All the guilt. «Il mestiere di vivere» as a judicial court
title_full_unstemmed All the guilt. «Il mestiere di vivere» as a judicial court
title_short All the guilt. «Il mestiere di vivere» as a judicial court
title_sort all the guilt il mestiere di vivere as a judicial court
topic cesare pavese
confessione letteraria
diario come tribunale
«mestiere di vivere»
teoria del diario
url https://griseldaonline.unibo.it/article/view/15982
work_keys_str_mv AT ivantassi alltheguiltilmestieredivivereasajudicialcourt