Home Movies as Reliquaries of Memory: A Phenomenological Perspective
If film immortalises the ephemeral and presentifies the past, this is especially true of home movies, whose content is not the result of a narrative composition or an invention of fiction, but the product of fragments of reality. These three categories – fiction, documentary, and the home movie – ha...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2024-06-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2024.0272 |