Théâtre, peinture, musique. La citation dans l’œuvre de Jan Fabre
In Jan Fabre’s theatre, references and allusions to different periods and movements of art history proliferate. This technique is not playful or postmodern. Rather, it belongs to the Brechtian tradition, as an original reflection on templates. In some cases, his quotational practice is so refined th...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Nicola Catelli - Corrado Confalonieri
2017-06-01
|
| Series: | Parole Rubate |
| Subjects: | |
| Online Access: | http://www.parolerubate.unipr.it/fascicolo15_pdf/F15_11_dries_fabre.pdf |
| Summary: | In Jan Fabre’s theatre, references and allusions to different periods and movements of art history proliferate. This technique is not playful or postmodern. Rather, it belongs to the Brechtian tradition, as an original reflection on templates. In some cases, his quotational practice is so refined that it could be considered as a new form of adaptation, while, at the same time, self-quotation – which establishes a connection between different works and creative phases of the artist – is very frequent. |
|---|---|
| ISSN: | 2039-0114 |