Michel foucault e “Raymond Roussel”

The present paper focuses on a specific aspect of Michel Foucault’s interest in literature, addressing his study on the French poet and novelist Raymond Roussel. Published only few days before The Birth of the Clinic: An Archaeology of Medical Perception (1963), Death and the Labyrinth (1963) provid...

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Main Author: Chiara Scarlato
Format: Article
Language:English
Published: Rosenberg & Sellier 2023-08-01
Series:Rivista di Estetica
Subjects:
Online Access:https://journals.openedition.org/estetica/9301
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author Chiara Scarlato
author_facet Chiara Scarlato
author_sort Chiara Scarlato
collection DOAJ
description The present paper focuses on a specific aspect of Michel Foucault’s interest in literature, addressing his study on the French poet and novelist Raymond Roussel. Published only few days before The Birth of the Clinic: An Archaeology of Medical Perception (1963), Death and the Labyrinth (1963) provides a philosophical reading of some Roussel’s writings, in a constant confrontation with the posthumous essay How I Wrote Certain of My Books (1935) in which Roussel explains his peculiar process of composition. Here, I propose considering that Death and the Labyrinth offers not only a critical account on the relationship between philosophy and literature, but it also displays the significance of philosophy towards the study of literature. From this perspective, I will mainly focus on three themes – the death of the language; the repetition of the language; the duality of the language –, showing also that the first source of the Foucauldian further interest on the relationship between “words” and “things” has been Roussel’s oeuvre.
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spelling doaj.art-1ec136a7822747a28b0fffef850e461f2024-04-04T09:22:04ZengRosenberg & SellierRivista di Estetica0035-62122421-58642023-08-018312113810.4000/estetica.9301Michel foucault e “Raymond Roussel”Chiara ScarlatoThe present paper focuses on a specific aspect of Michel Foucault’s interest in literature, addressing his study on the French poet and novelist Raymond Roussel. Published only few days before The Birth of the Clinic: An Archaeology of Medical Perception (1963), Death and the Labyrinth (1963) provides a philosophical reading of some Roussel’s writings, in a constant confrontation with the posthumous essay How I Wrote Certain of My Books (1935) in which Roussel explains his peculiar process of composition. Here, I propose considering that Death and the Labyrinth offers not only a critical account on the relationship between philosophy and literature, but it also displays the significance of philosophy towards the study of literature. From this perspective, I will mainly focus on three themes – the death of the language; the repetition of the language; the duality of the language –, showing also that the first source of the Foucauldian further interest on the relationship between “words” and “things” has been Roussel’s oeuvre.https://journals.openedition.org/estetica/9301Foucault (Michel)Roussel (Raymond)philosophy of literature
spellingShingle Chiara Scarlato
Michel foucault e “Raymond Roussel”
Rivista di Estetica
Foucault (Michel)
Roussel (Raymond)
philosophy of literature
title Michel foucault e “Raymond Roussel”
title_full Michel foucault e “Raymond Roussel”
title_fullStr Michel foucault e “Raymond Roussel”
title_full_unstemmed Michel foucault e “Raymond Roussel”
title_short Michel foucault e “Raymond Roussel”
title_sort michel foucault e raymond roussel
topic Foucault (Michel)
Roussel (Raymond)
philosophy of literature
url https://journals.openedition.org/estetica/9301
work_keys_str_mv AT chiarascarlato michelfoucaulteraymondroussel