Le triomphe de l’uniformité

The purpose of this article is to study the post-Ottoman Armenian reconstruction ideology and its impact on religious architecture in Lebanon from the 1930s until the 1960s. Drawing on the example of five places of worship, three churches built for the newly constructed Armenian refugee quarters in...

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Bibliographic Details
Main Authors: Joseph Rustom, Vahé Tachjian
Format: Article
Language:fra
Published: Bibliothèque Nubar de l'UGAB 2022-12-01
Series:Études Arméniennes Contemporaines
Subjects:
Online Access:https://journals.openedition.org/eac/2859
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author Joseph Rustom
Vahé Tachjian
author_facet Joseph Rustom
Vahé Tachjian
author_sort Joseph Rustom
collection DOAJ
description The purpose of this article is to study the post-Ottoman Armenian reconstruction ideology and its impact on religious architecture in Lebanon from the 1930s until the 1960s. Drawing on the example of five places of worship, three churches built for the newly constructed Armenian refugee quarters in Beirut and two cathedrals built to represent the Armenian religious communities at national level, it seeks to reveal the ideologies that were at work to develop new typologies for church architecture in exile. It proves that the creators of these typologies purposefully turned their back on the architectural styles and know-hows related to the churches of the lost Ottoman hometowns and embraced the medieval religious architecture of historical Armenia as ultimate reference and main source of inspiration. This architecture was institutionalized and became the norm in the whole diaspora and, later, in Armenia.
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spelling doaj.art-1f0e12328195496ca230ea64ed5d00ec2024-02-13T14:41:52ZfraBibliothèque Nubar de l'UGABÉtudes Arméniennes Contemporaines2269-52812425-16822022-12-01148511810.4000/eac.2859Le triomphe de l’uniformitéJoseph RustomVahé TachjianThe purpose of this article is to study the post-Ottoman Armenian reconstruction ideology and its impact on religious architecture in Lebanon from the 1930s until the 1960s. Drawing on the example of five places of worship, three churches built for the newly constructed Armenian refugee quarters in Beirut and two cathedrals built to represent the Armenian religious communities at national level, it seeks to reveal the ideologies that were at work to develop new typologies for church architecture in exile. It proves that the creators of these typologies purposefully turned their back on the architectural styles and know-hows related to the churches of the lost Ottoman hometowns and embraced the medieval religious architecture of historical Armenia as ultimate reference and main source of inspiration. This architecture was institutionalized and became the norm in the whole diaspora and, later, in Armenia.https://journals.openedition.org/eac/2859cultural heritagediasporaArmenian religious architectureidentity reconstructionpost-ottomanLebanon
spellingShingle Joseph Rustom
Vahé Tachjian
Le triomphe de l’uniformité
Études Arméniennes Contemporaines
cultural heritage
diaspora
Armenian religious architecture
identity reconstruction
post-ottoman
Lebanon
title Le triomphe de l’uniformité
title_full Le triomphe de l’uniformité
title_fullStr Le triomphe de l’uniformité
title_full_unstemmed Le triomphe de l’uniformité
title_short Le triomphe de l’uniformité
title_sort le triomphe de l uniformite
topic cultural heritage
diaspora
Armenian religious architecture
identity reconstruction
post-ottoman
Lebanon
url https://journals.openedition.org/eac/2859
work_keys_str_mv AT josephrustom letriomphedeluniformite
AT vahetachjian letriomphedeluniformite