Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music
In this article, composer Peng Liu investigates the role of the Zheng instrument in Chinese new music scene. The composer focuses on three main approaches on how Zheng music has been written so far: the preservation of tradition, the modern development, and the extreme use. Peng also talks about the...
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| Format: | Article |
| Language: | English |
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Universidade Estadual do Paraná
2020-02-01
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| Series: | Revista Vortex |
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| Online Access: | http://periodicos.unespar.edu.br/index.php/vortex/article/view/3387 |
| _version_ | 1819048761003868160 |
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| author | Peng Liu |
| author_facet | Peng Liu |
| author_sort | Peng Liu |
| collection | DOAJ |
| description | In this article, composer Peng Liu investigates the role of the Zheng instrument in Chinese new music scene. The composer focuses on three main approaches on how Zheng music has been written so far: the preservation of tradition, the modern development, and the extreme use. Peng also talks about the resistance from traditional Zheng players when performing pieces from the new music repertoire, and the encouragement to experimentation led mainly by Chinese composers. Although the text is a personal response by the composer, Peng is motivated to contribute to the development of new music repertoire for Zheng [note by editor]. |
| first_indexed | 2024-12-21T11:21:23Z |
| format | Article |
| id | doaj.art-1f4f5c242bc3411896818205c46758c9 |
| institution | Directory Open Access Journal |
| issn | 2317-9937 |
| language | English |
| last_indexed | 2024-12-21T11:21:23Z |
| publishDate | 2020-02-01 |
| publisher | Universidade Estadual do Paraná |
| record_format | Article |
| series | Revista Vortex |
| spelling | doaj.art-1f4f5c242bc3411896818205c46758c92022-12-21T19:05:46ZengUniversidade Estadual do ParanáRevista Vortex2317-99372020-02-018119https://doi.org/10.33871/23179937.2020.8.1.1-9Personal Thinking on the Creative Directions of Chinese Contemporary Zheng MusicPeng Liu0Central Conservatory of Music | Sichuan Conservatory of Music | ChinaIn this article, composer Peng Liu investigates the role of the Zheng instrument in Chinese new music scene. The composer focuses on three main approaches on how Zheng music has been written so far: the preservation of tradition, the modern development, and the extreme use. Peng also talks about the resistance from traditional Zheng players when performing pieces from the new music repertoire, and the encouragement to experimentation led mainly by Chinese composers. Although the text is a personal response by the composer, Peng is motivated to contribute to the development of new music repertoire for Zheng [note by editor].http://periodicos.unespar.edu.br/index.php/vortex/article/view/3387zheng musicnew music in chinanew music repertoireinstrumentationcollaboration performer and composer |
| spellingShingle | Peng Liu Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music Revista Vortex zheng music new music in china new music repertoire instrumentation collaboration performer and composer |
| title | Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music |
| title_full | Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music |
| title_fullStr | Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music |
| title_full_unstemmed | Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music |
| title_short | Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music |
| title_sort | personal thinking on the creative directions of chinese contemporary zheng music |
| topic | zheng music new music in china new music repertoire instrumentation collaboration performer and composer |
| url | http://periodicos.unespar.edu.br/index.php/vortex/article/view/3387 |
| work_keys_str_mv | AT pengliu personalthinkingonthecreativedirectionsofchinesecontemporaryzhengmusic |