L’impressionnisme cinématographique : Bombon el Perro.
Main Author: | Aude Argouse |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherches sur les Mondes Américains
2006-02-01
|
Series: | Nuevo mundo - Mundos Nuevos |
Subjects: | |
Online Access: | https://journals.openedition.org/nuevomundo/1831 |
Similar Items
-
Pupazzi di neve. David Lynch fotografo e l’"Unheimliche"
by: Paolo Sebastiano Lanzi
Published: (2013-02-01) -
Zola et l’Impressionnisme : de l’ekphrasis à la transposition de tableaux réels
by: Abdessamad ISSAM & Abderzak ELKAHLAOUI
Published: (2024-03-01) -
A polifonia de efeitos sonoros no sound design de Alan Splet
by: Fabiano Pereira de Souza
Published: (2019-06-01) -
The post-perspectival: screens and time in David Lynch's Inland Empire
by: Anne Jerslev
Published: (2012-03-01) -
A nostalgia dos anos 1950 no cinema norte-americano dos anos 1980: os casos de De volta para o futuro e Veludo azul
by: Laura Loguercio Cánepa, et al.
Published: (2016-12-01)