Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana

This text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions...

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Main Author: Jesús Adrián Escudero
Format: Article
Language:Catalan
Published: Universitat de Barcelona 2004-01-01
Series:Lectora: Revista de Dones i Textualitat
Online Access:http://revistes.ub.edu/index.php/lectora/article/view/7064
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author Jesús Adrián Escudero
author_facet Jesús Adrián Escudero
author_sort Jesús Adrián Escudero
collection DOAJ
description This text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions obsolete socially established identity patterns. The theoretical discussion of Sherman‚s pieces is based on Judith Butler‚s concept of "perfomativity" and Donna Haraway's idea of the cyborg. The paper seeks a reformulation, within the context of the new technological media used in contemporary artistic practices, of the waning borders between real and virtual bodies of women and men, gays and lesbians, transvestites and transexuals. In other words, the text seeks to explain the deep transformation that affects the very concept of human.
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spelling doaj.art-1f741d16f63c404a97e1e8f4494767b32022-12-21T20:35:09ZcatUniversitat de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702004-01-01106839Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humanaJesús Adrián EscuderoThis text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions obsolete socially established identity patterns. The theoretical discussion of Sherman‚s pieces is based on Judith Butler‚s concept of "perfomativity" and Donna Haraway's idea of the cyborg. The paper seeks a reformulation, within the context of the new technological media used in contemporary artistic practices, of the waning borders between real and virtual bodies of women and men, gays and lesbians, transvestites and transexuals. In other words, the text seeks to explain the deep transformation that affects the very concept of human.http://revistes.ub.edu/index.php/lectora/article/view/7064
spellingShingle Jesús Adrián Escudero
Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
Lectora: Revista de Dones i Textualitat
title Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_full Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_fullStr Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_full_unstemmed Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_short Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_sort cuerpo y transgresion cindy sherman y la vision fotografica de la mutacion humana
url http://revistes.ub.edu/index.php/lectora/article/view/7064
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