Mythic gaps

Different kinds of omissions sometimes occur, or are perceived to occur, in traditional narratives and in tradition-inspired literature. A familiar instance is when a narrator realizes that he or she does not fully remember the story that he or she has begun to tell, and so leaves out part of it, wh...

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Main Author: William Hansen
Format: Article
Language:English
Published: Septentrio Academic Publishing 2014-11-01
Series:Nordlit: Tidsskrift i litteratur og kultur
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/3185
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author William Hansen
author_facet William Hansen
author_sort William Hansen
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description Different kinds of omissions sometimes occur, or are perceived to occur, in traditional narratives and in tradition-inspired literature. A familiar instance is when a narrator realizes that he or she does not fully remember the story that he or she has begun to tell, and so leaves out part of it, which for listeners may possibly result in an unintelligible narrative. But many instances of narrative gap are not so obvious. From straightforward, objective gaps one can distinguish less-obvious subjective gaps: in many cases narrators do not leave out anything crucial or truly relevant from their exposition, and yet readers perceive gaps and take steps to fill them. The present paper considers four examples of subjective gaps drawn from ancient Greek literature (the Pandora myth), ancient Roman literature (the Pygmalion legend), ancient Hebrew literature (the Joseph legend), and early Christian literature (the Jesus legend). I consider the quite varied ways in which interpreters expand the inherited texts of these stories, such as by devising names, manufacturing motives, creating backstories, and in general filling in biographical ellipses. Finally, I suggest an explanation for the phenomenon of subjective gaps, arguing that, despite their variety, they have a single cause.
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spelling doaj.art-1f8243b499264ab4a75d33e6f9ed788c2024-02-02T07:01:09ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur0809-16681503-20862014-11-013310.7557/13.31852957Mythic gapsWilliam Hansen0Indiana University, BloomingtonDifferent kinds of omissions sometimes occur, or are perceived to occur, in traditional narratives and in tradition-inspired literature. A familiar instance is when a narrator realizes that he or she does not fully remember the story that he or she has begun to tell, and so leaves out part of it, which for listeners may possibly result in an unintelligible narrative. But many instances of narrative gap are not so obvious. From straightforward, objective gaps one can distinguish less-obvious subjective gaps: in many cases narrators do not leave out anything crucial or truly relevant from their exposition, and yet readers perceive gaps and take steps to fill them. The present paper considers four examples of subjective gaps drawn from ancient Greek literature (the Pandora myth), ancient Roman literature (the Pygmalion legend), ancient Hebrew literature (the Joseph legend), and early Christian literature (the Jesus legend). I consider the quite varied ways in which interpreters expand the inherited texts of these stories, such as by devising names, manufacturing motives, creating backstories, and in general filling in biographical ellipses. Finally, I suggest an explanation for the phenomenon of subjective gaps, arguing that, despite their variety, they have a single cause.https://septentrio.uit.no/index.php/nordlit/article/view/3185classical mythologymythlegendfolk narrativePandoraPygmalion
spellingShingle William Hansen
Mythic gaps
Nordlit: Tidsskrift i litteratur og kultur
classical mythology
myth
legend
folk narrative
Pandora
Pygmalion
title Mythic gaps
title_full Mythic gaps
title_fullStr Mythic gaps
title_full_unstemmed Mythic gaps
title_short Mythic gaps
title_sort mythic gaps
topic classical mythology
myth
legend
folk narrative
Pandora
Pygmalion
url https://septentrio.uit.no/index.php/nordlit/article/view/3185
work_keys_str_mv AT williamhansen mythicgaps