Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova)
The principle of anthropocentrism, being the basis of human cognitive activity, detects the subject’s central position in the fictional universum. Possessing verbal fixation the subjects of the fictional text, the Narrator and the Character, interacting with each other form a subjective narration mo...
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Format: | Article |
Language: | English |
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Uniwersytet Opolski
2020-01-01
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Series: | Stylistyka |
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Online Access: | https://czasopisma.uni.opole.pl/index.php/s/article/view/1810 |
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author | Nadežda V. Smirnova |
author_facet | Nadežda V. Smirnova |
author_sort | Nadežda V. Smirnova |
collection | DOAJ |
description | The principle of anthropocentrism, being the basis of human cognitive activity, detects the subject’s central position in the fictional universum. Possessing verbal fixation the subjects of the fictional text, the Narrator and the Character, interacting with each other form a subjective narration model. The stages of the subject’s representation in the fictional text related to the lack of knowledge of communicators’ field in general, are formally reflected in the sequence of nominations. The classic narration based on the maximum connectivity of its component elements, should tend to such a type of organization of the co-referential nominations’ rows, which would let the narratee clearly identify the object throughout the text. The deviances in the co-referential nominations’ rows, which occur in the non-classic narration, provoke referential interpretation and lead to the increment of text entropy. Basing on Vladimir Nabokov’s stories, two types of egocentric introductions in the co-referential nominations’ rows have been detected, based on the narration manner. The first type is reflected within the context of third-person narration, when a deictic first-person pronoun introduces itself with the identical reference as a proper noun, an anaphor, a substantive expression, into the sequence of character’s nominations. The second type is reflected in the first-person narration, it is related to the introduction into the sequence of nominations of a character not involved in the communication, a deictic second-person pronoun. “Egocentric explosions” in the co-referential nominations’ rows represent one of the most effective stylistic devices of the non-traditional narrative formation. They lead to the narrative mode switching providing stereoscopic effect. |
first_indexed | 2024-04-11T11:50:35Z |
format | Article |
id | doaj.art-1f98b50d29c442fca3892ab911d97fbf |
institution | Directory Open Access Journal |
issn | 1230-2287 2545-1669 |
language | English |
last_indexed | 2024-04-11T11:50:35Z |
publishDate | 2020-01-01 |
publisher | Uniwersytet Opolski |
record_format | Article |
series | Stylistyka |
spelling | doaj.art-1f98b50d29c442fca3892ab911d97fbf2022-12-22T04:25:24ZengUniwersytet OpolskiStylistyka1230-22872545-16692020-01-012423724710.25167/Stylistyka.24.2015.161517Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova)Nadežda V. SmirnovaThe principle of anthropocentrism, being the basis of human cognitive activity, detects the subject’s central position in the fictional universum. Possessing verbal fixation the subjects of the fictional text, the Narrator and the Character, interacting with each other form a subjective narration model. The stages of the subject’s representation in the fictional text related to the lack of knowledge of communicators’ field in general, are formally reflected in the sequence of nominations. The classic narration based on the maximum connectivity of its component elements, should tend to such a type of organization of the co-referential nominations’ rows, which would let the narratee clearly identify the object throughout the text. The deviances in the co-referential nominations’ rows, which occur in the non-classic narration, provoke referential interpretation and lead to the increment of text entropy. Basing on Vladimir Nabokov’s stories, two types of egocentric introductions in the co-referential nominations’ rows have been detected, based on the narration manner. The first type is reflected within the context of third-person narration, when a deictic first-person pronoun introduces itself with the identical reference as a proper noun, an anaphor, a substantive expression, into the sequence of character’s nominations. The second type is reflected in the first-person narration, it is related to the introduction into the sequence of nominations of a character not involved in the communication, a deictic second-person pronoun. “Egocentric explosions” in the co-referential nominations’ rows represent one of the most effective stylistic devices of the non-traditional narrative formation. They lead to the narrative mode switching providing stereoscopic effect.https://czasopisma.uni.opole.pl/index.php/s/article/view/1810subjective perspective of the fictional textanthropocentrismdeixisegcentric elementsegocentric elementsco-referential nominations |
spellingShingle | Nadežda V. Smirnova Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) Stylistyka subjective perspective of the fictional text anthropocentrism deixis egcentric elements egocentric elements co-referential nominations |
title | Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) |
title_full | Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) |
title_fullStr | Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) |
title_full_unstemmed | Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) |
title_short | Antropocentričeskoe izmerenie stilâ: (na materiale rasskazov V.V. Nabokova) |
title_sort | antropocentriceskoe izmerenie stila na materiale rasskazov v v nabokova |
topic | subjective perspective of the fictional text anthropocentrism deixis egcentric elements egocentric elements co-referential nominations |
url | https://czasopisma.uni.opole.pl/index.php/s/article/view/1810 |
work_keys_str_mv | AT nadezdavsmirnova antropocentriceskoeizmereniestilanamaterialerasskazovvvnabokova |