Engaging with Religious History and Theological Concepts through Music Composition: <i>Ave generosa</i> and <i>The Song of Margery Kempe</i>
This article explores the intersections among music composition, religious history and spiritual texts, with their attendant concepts. It focuses on two works with medieval sources—the concert piece <i>Ave generosa</i> (1996) and the chamber opera <i>The Song of Margery Kempe</i...
Main Author: | Brian Andrew Inglis |
---|---|
Format: | Article |
Language: | English |
Published: |
MDPI AG
2023-05-01
|
Series: | Religions |
Subjects: | |
Online Access: | https://www.mdpi.com/2077-1444/14/5/640 |
Similar Items
-
A Comparative Study of the Conception of Revelation in Mysticism of Ruzbihan Baqli and Hildegard of Bingen
by: Seyyedeh Sara Kashfi, et al.
Published: (2020-12-01) -
Hildegard: A Trailblazer?
by: Emilie Schulze
Published: (2021-10-01) -
Religious Vocabulary on Creation: Eriugena, Hildegard of Bingen, Eckhart
by: María Jesús Soto-Bruna
Published: (2023-08-01) -
Saint Hildegard’s Vegetal Psycho-Physio-Theology
by: Michael Marder
Published: (2018-11-01) -
VER, CONOCER, IMAGINAR: LA VISIÓN DE LA FUENTE Y LAS TRES DONCELLAS EN EL LIBER DIVINORUM OPERUM DE HILDEGARD DE BINGEN
by: María Eugenia Góngora
Published: (2006-04-01)