The Garden as a Performance

The aim of this article is to suggest that one should think of gardens in terms of performances and not necessarily in terms of architecture, painting, or poetry, for it is possible to show that, strangely enough, gardens seem to share certain features with performance arts. Such an approach seems f...

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Main Author: Mateusz Salwa
Format: Article
Language:English
Published: Helsinki University Press 2014-05-01
Series:Estetika
Online Access:https://estetikajournal.org/articles/115
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author Mateusz Salwa
author_facet Mateusz Salwa
author_sort Mateusz Salwa
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description The aim of this article is to suggest that one should think of gardens in terms of performances and not necessarily in terms of architecture, painting, or poetry, for it is possible to show that, strangely enough, gardens seem to share certain features with performance arts. Such an approach seems fruitful since it allows one both to grasp the fact that gardens combine culture and nature and to underline the role of the latter, which cannot be reduced to a sheer medium as is traditionally done. The contention is that gardens should be treated more like a continuous, dynamic, partly planned process in which people can participate in different ways on a par with other non-human ‘actors’. Moreover, the category of performance seems to offer a useful framework helping to solve certain problems inherent in traditional ways of thinking about gardens.
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spelling doaj.art-1fde419d4c61484c982a8c704413d88f2022-12-22T03:25:29ZengHelsinki University PressEstetika2571-09152014-05-01511426110.33134/eeja.115105The Garden as a PerformanceMateusz Salwa0Institute of Philosophy, University of Warsaw, ul. Krakowskie Przedmieście 3, 00-927 WarsawThe aim of this article is to suggest that one should think of gardens in terms of performances and not necessarily in terms of architecture, painting, or poetry, for it is possible to show that, strangely enough, gardens seem to share certain features with performance arts. Such an approach seems fruitful since it allows one both to grasp the fact that gardens combine culture and nature and to underline the role of the latter, which cannot be reduced to a sheer medium as is traditionally done. The contention is that gardens should be treated more like a continuous, dynamic, partly planned process in which people can participate in different ways on a par with other non-human ‘actors’. Moreover, the category of performance seems to offer a useful framework helping to solve certain problems inherent in traditional ways of thinking about gardens.https://estetikajournal.org/articles/115
spellingShingle Mateusz Salwa
The Garden as a Performance
Estetika
title The Garden as a Performance
title_full The Garden as a Performance
title_fullStr The Garden as a Performance
title_full_unstemmed The Garden as a Performance
title_short The Garden as a Performance
title_sort garden as a performance
url https://estetikajournal.org/articles/115
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